France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
“Yes. I have come with a message to the manager from him. Just try to
get me a word with him, dear.”
“A lady from M. Pons to see you, sir!” After this fashion did the youth
attached to the service of the manager’s office announce La Cibot, whom
the portress below had particularly recommended to his care.
Gaudissart had just come in for a rehearsal. Chance so ordered it that
no one wished to speak with him; actors and authors were alike late.
Delighted to have news of his conductor, he made a Napoleonic gesture,
and La Cibot was admitted.
The sometime commercial traveler, now the head of a popular theatre,
regarded his sleeping partners in the light of a legitimate wife;
they were not informed of all his doings. The flourishing state of
his finances had reacted upon his person. Grown big and stout and
high-colored with good cheer and prosperity, Gaudissart made no disguise
of his transformation into a Mondor.
“We are turning into a city-father,” he once said, trying to be the
first to laugh.
“You are only in the Turcaret stage yet, though,” retorted Bixiou, who
often replaced Gaudissart in the company of the leading lady of the
ballet, the celebrated Heloise Brisetout.
The former Illustrious Gaudissart, in fact, was exploiting the theatre
simply and solely for his own particular benefit, and with brutal
disregard of other interests. He first insinuated himself as a
collaborator in various ballets, plays, and vaudevilles; then he
waited till the author wanted money and bought up the other half of
the copyright. These after-pieces and vaudevilles, always added to
successful plays, brought him in a daily harvest of gold coins. He
trafficked by proxy in tickets, allotting a certain number to himself,
as the manager’s share, till he took in this way a tithe of the
receipts. And Gaudissart had other methods of making money besides these
official contributions. He sold boxes, he took presents from indifferent
actresses burning to go upon the stage to fill small speaking parts,
or simply to appear as queens, or pages, and the like; he swelled his
nominal third share of the profits to such purpose that the sleeping
partners scarcely received one-tenth instead of the remaining two-thirds
of the net receipts. Even so, however, the tenth paid them a dividend of
fifteen per cent on their capital. On the strength of that fifteen per
cent Gaudissart talked of his intelligence, honesty, and zeal, and the
good fortune of his partners. When Count Popinot, showing an interest in
the concern, asked Matifat, or General Gouraud (Matifat’s son-in-law),
or Crevel, whether they were satisfied with Gaudissart, Gouraud, now a
peer of France, answered, “They say he robs us; but he is such a clever,
good-natured fellow, that we are quite satisfied.”
“This is like La Fontaine’s fable,” smiled the ex-cabinet minister.
Public-domain text, read in full here on John Shaqi.
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