France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
Rich people can scarcely realize the extreme simplicity of a poor man’s
kitchen. A Dutch oven, a kettle, a gridiron, a saucepan, two or three
dumpy cooking-pots, and a frying-pan--that was all. All the crockery in
the place, white and brown earthenware together, was not worth more than
twelve francs. Dinner was served on the kitchen table, which, with a
couple of chairs and a couple of stools, completed the furniture. The
stock of fuel was kept under the stove with a funnel-shaped chimney,
and in a corner stood the wash-tub in which the family linen lay, often
steeping over-night in soapsuds. The nursery ceiling was covered with
clothes-lines, the walls were variegated with theatrical placards and
wood-cuts from newspapers or advertisements. Evidently the eldest boy,
the owner of the school-books stacked in a corner, was left in
charge while his parents were absent at the theatre. In many a French
workingman’s family, so soon as a child reaches the age of six or seven,
it plays the part of mother to younger sisters and brothers.
From this bare outline, it may be imagined that the Topinards, to use
the hackneyed formula, were “poor but honest.” Topinard himself was
verging on forty; Mme. Topinard, once leader of a chorus--mistress, too,
it was said, of Gaudissart’s predecessor, was certainly thirty years
old. Lolotte had been a fine woman in her day; but the misfortunes of
the previous management had told upon her to such an extent, that it
had seemed to her to be both advisable and necessary to contract a
stage-marriage with Topinard. She did not doubt but that, as soon as
they could muster the sum of a hundred and fifty francs, her Topinard
would perform his vows agreeably to the civil law, were it only to
legitimize the three children, whom he worshiped. Meantime, Mme.
Topinard sewed for the theatre wardrobe in the morning; and with
prodigious effort, the brave couple made nine hundred francs per annum
between them.
“One more flight!” Topinard had twice repeated since they reached the
third floor. Schmucke, engulfed in his sorrow, did not so much as know
whether he was going up or coming down.
In another minute Topinard had opened the door; but before he appeared
in his white workman’s blouse Mme. Topinard’s voice rang from the
kitchen:
“There, there! children, be quiet! here comes papa!”
But the children, no doubt, did as they pleased with papa, for the
oldest member of the family, sitting astride a broomstick, continued to
command a charge of cavalry (a reminiscence of the Cirque-Olympique),
the second blew a tin trumpet, while the third did its best to keep up
with the main body of the army. Their mother was at work on a theatrical
costume.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account