France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
“The mistress will not put herself in that state twice in a month,” said
the servant, as she went with La Cibot to the landing. “She would do
herself to death if she did, it tires her so. She will eat cutlets now
and sleep for three hours afterwards.”
Out in the street La Cibot took counsel of herself as she went
along, and, after the manner of all who ask for advice of any sort or
description, she took the favorable part of the prediction and rejected
the rest. The next day found her confirmed in her resolutions--she would
set all in train to become rich by securing a part of Pons’ collection.
Nor for some time had she any other thought than the combination of
various plans to this end. The faculty of self-concentration seen in
rough, uneducated persons, explained on a previous page, the reserve
power accumulated in those whose mental energies are unworn by the daily
wear and tear of social life, and brought into action so soon as that
terrible weapon the “fixed idea” is brought into play,--all this was
pre-eminently manifested in La Cibot. Even as the “fixed idea” works
miracles of evasion, and brings forth prodigies of sentiment, so greed
transformed the portress till she became as formidable as a Nucingen
at bay, as subtle beneath her seeming stupidity as the irresistible La
Palferine.
About seven o’clock one morning, a few days afterwards, she saw
Remonencq taking down his shutters. She went across to him.
“How could one find out how much the things yonder in my gentlemen’s
rooms are worth?” she asked in a wheedling tone.
“Oh! that is quite easy,” replied the owner of the old curiosity shop.
“If you will play fair and above board with me, I will tell you of
somebody, a very honest man, who will know the value of the pictures to
a farthing--”
“Who?”
“M. Magus, a Jew. He only does business to amuse himself now.”
Elie Magus has appeared so often in the _Comedie Humaine_, that it is
needless to say more of him here. Suffice it to add that he had retired
from business, and as a dealer was following the example set by Pons
the amateur. Well-known valuers like Henry, Messrs. Pigeot and Moret,
Theret, Georges, and Roehn, the experts of the Musee, in fact, were but
children compared with Elie Magus. He could see a masterpiece beneath
the accumulated grime of a century; he knew all schools, and the
handwriting of all painters.
He had come to Paris from Bordeaux, and so long ago as 1835 he had
retired from business without making any change for the better in his
dress, so faithful is the race to old tradition. The persecutions of the
Middle Ages compelled them to wear rags, to snuffle and whine and groan
over their poverty in self-defence, till the habits induced by the
necessities of other times have come to be, as usual, instinctive, a
racial defect.
Public-domain text, read in full here on John Shaqi.
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