Covered with mud and glory : $b a machine gun company in action ("Ma mitrailleuse")Lafond, Georges
History
Covered with mud and glory : $b a machine gun company in action ("Ma mitrailleuse")
Lafond, Georges
World War, 1914-1918 -- Personal narratives, French
Day comes. The sun rises, the bright clear sun, which will be warm soon,
rises over the ridge behind us. On the broad, many-colored screen of
the sky with its rays of dawning day, the chimney of the distillery at
Frameville, still intact and standing as though hurling defiance at the
Germans, stands out monumental and black like a gigantic obelisk.
The countryside never stood out so clearly. I note the slightest
details with a feeling which can never be effaced. I continue to look
persistently to overcome my nervousness and to have something else to
think about.
I look....
Below, in advance, are light lines of freshly turned earth. They are
the German trenches, and I think I can see among the apparent ruins the
invisible loopholes ready to belch forth death. A little further to the
left, a few yards from the sides of the cliff is a small clump of woods
which seems quiet and deserted. Our shells have started fires, but the
fortified positions which conceal the machine guns are still there.
I look....
The ground and slope in front of me, close to the parapet, is empty,
bare, torn full of shell holes. Young trees have been cut down, and
the fallen trees are rotting in the earth under the growing moss. But
daisies, buttercups, wild poppies, and cornflowers have sprung up and
blossomed, opening out to nature, the sun, and life.
All the fires will shortly rage on these flowers. The blood of men will
flow on them, and to-morrow their sweetness will be mingled with the
charnel-house of corpses ... our corpses.
Nature has never seemed to me so moving. Tears come to my eyes. It is
not fear. No, it is not that. There are times when one may be afraid.
Here we realize that fear is a reflex impression, ridiculous, and above
all useless; that the minutes which are left are perhaps too numbered to
waste in vain sentiments.
But while I look through the mirage of nature, I have seen a small
shriveled figure with trembling lips, and eyes hollowed with pain and
fright; I have seen small hands—long, pale, emaciated hands—clasped
before a photograph; I have heard the expression so many times, read it
so many times in the letters on my breast, on my heart: “Tell me that you
will come back. You are my all, father, mother, brother, child, husband;
tell me that you will be careful, that you will come back to me,” and a
slight uncontrollable, nervous trembling takes hold of me; but no one can
see it.
The blast of the whistle—the final order—rings out. I find myself on
the slope without knowing how I came there, in the midst of the others,
beside the lieutenant, at my post.
Under a protecting storm of our “75’s” we advance towards our objective.
The battalion has already crossed the first line of the Boche trenches
without resistance.
All nervousness is gone now. I am very cool. The third wave advances in
front of us in good order, in step, without heavy losses. We march in
their wake.
Public-domain text, read in full here on John Shaqi.
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