Cradock Nowell: A Tale of the New Forest. Vol. 1 (of 3)Blackmore, R. D. (Richard Doddridge)
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Cradock Nowell: A Tale of the New Forest. Vol. 1 (of 3)
Blackmore, R. D. (Richard Doddridge)
New Forest (England : Forest) -- Fiction
“ʼActum est’ with my dinner”, exclaimed the parson aloud, when he awoke
to the situation; “and what, perhaps, is more important to thee, at
least, Coræbus, thine also is ‘pessum datum’. And there is no room
to turn the horse round without scratching his eyes and his tail
so. Nevertheless, this is a path, or at one time must have been so;
‘semita, callis, tramesʼ—that last word is the one for it, if it be
derived from ‘traho’ (which, however, I do not believe)—for, lo! there
has been a log of wood dragged here even during a post–diluvial period:
we will follow this track to the uttermost; what says the cheerful
philosopher:—‘_παντοίην βιότοιο τάμοις ὁδόν_’. Surely a gun, nay, two,
or, more accurately, two explosions; now for some one to show us the
way. Coræbus, be of good cheer, there is supper yet in thy _φάτνῃ_,
not _ἐϋξέστῳ_; advance then thy best foot. Why not?—seest thou an
_ἔιδωλον_? Come on, I say, mine horse—Great God!——” And he was silent.
Tired as he was, Coræbus had leaped back from the leading rein,
then cast up his head and snorted, and with a glare of terror stood
trembling. What John Rosedew saw at that moment was stamped on his
heart for ever. Across his narrow homeward path, clear in the grey
light, and seeming to creep, was the corpse of Clayton Nowell, laid
upon its left side, with one hand to the heart, the wan face stark and
spread on the ground, the body stretched by the final throe. The pale
light wandered over it, and showed it only a shadow. John Rosedewʼs
nerves were stout and strong, as of a man who has injured none; he had
buried hundreds of fellow–men, after seeing them die; but, for the
moment, he was struck with a mortal horror. Back he fell, and drove
back his horse; he could not look at the dead manʼs eyes fixed intently
upon him. One minute he stood shivering, and the ash–leaves shivered
over him. He was conscious somehow of another presence which he could
not perceive. Then he ran up, like a son of God, to what God had left
of his brother. The glaze (as of ground glass) in the eyes, the smile
that has swooned for ever, the scarlet of the lips turned out with the
chalky rim of death, the bulge of the broad breast, never again to rise
or fall in breathing—is there one of these changes we do not know,
having seen them in our own dearest ones?
But a worse sight than of any dead man—dead, and gone home to his
Father—met John Rosedewʼs quailing eyes, as he turned towards the
opening. It was the sight of Cradock Nowell, clutching his gun with one
hand, and clinging hard with the other, while he hung from the bank
(which he had been leaping) as a winding–sheet hangs from a candle.
The impulse of his leap had failed him, smitten back by horror; it was
not in him to go back, nor to come one foot forward. The parson called
him by his name, but he could not answer; only a shiver and a moan
showed that he knew his baptism. The living was more startled, and more
startling, than the dead.
CHAPTER XXI.
Public-domain text, read in full here on John Shaqi.
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