Cradock Nowell: A Tale of the New Forest. Vol. 1 (of 3)Blackmore, R. D. (Richard Doddridge)
General
Cradock Nowell: A Tale of the New Forest. Vol. 1 (of 3)
Blackmore, R. D. (Richard Doddridge)
New Forest (England : Forest) -- Fiction
By the door of the orchard–house grew a fine deodara, and behind it
lay Mr. Corklemore, beyond all hope entangled. His snores had been
broken summarily by the maid coming for the glasses, and he set forth,
after a dozen “haws”, to look for his two comrades. With instinct
ampeline he felt that his only chance of advancing in the manner of
a biped lay or stood in his bamboo. So he went to the stick–stand by
the back–door, where he muzzily thought it ought to be. Mrs. Hutton,
in the drawing–room, was rattling on the piano, and that made his head
ten times worse. His bamboo was not in the stick–stand; nevertheless he
found there a gig–umbrella with a yellow handle, like the top of his
fidus Achates. Relying upon this, he made his way out, crying “haw”!
at every star in the oilcloth. He progged away all down the walk, with
the big umbrella; but the button that held the cord was gone, and it
flapped like a mutinous windmill. However, he carried on bravely, until
he confronted a dark, weird tree, waving its shrouded arms at him. This
was the deodara; so he made a tack to the left, and there was hulled
between wind and water by an unsuspected enemy. This was Rufus Huttonʼs
pet of all pet pear–trees, a perfect model of symmetry, scarce three
feet six in height, sturdy, crisp, short–jointed, spurred from keel
to truck, and carrying twenty great pears. It had been so stopped
and snagged throughout, that it was stiffer than fifty hollies; and
Rosa was dreadfully jealous of it, because Rufus spent so much time
there. He used to go out in the summer forenoon, whenever the sun was
brilliant, and draw lines down the fruit with a wet camelʼs hairbrush,
as the French gardeners do. He had photographed it once or twice, but
the wind would move the leaves so.
Now he had the pleasure of seeing Nowell Corklemore flat on his
back, with his pet Beurré Superfin (snapped at the stock), and the
gig–umbrella between his legs, all a hideous ruin. The gig–umbrella
flapped and flapped, and the agonised pear–tree scratched and
scratched, till Nowell Corklemore felt quite sure that he was in the
embrace of a dragon. The glorious pears were rolling about, some
crushed under his frantic heels, the rest with wet bruises on them,
appealing from human barbarism.
“Well”! said Rufus Hutton. He was in such a rage, it would have choked
him to say another word.
“Haw! I donʼt call it well at all to be eaten up by a dragon. Pull him
away for mercyʼs sake, pull him away! and Iʼll tell all about this
business”.
At last they got him out, for the matter was really serious, and Rufus
was forced to hide his woe at the destruction of the pear–tree. And
after all he had no one but himself to thank for it. Why did he almost
force his guests to drink the third bottle of sherry?
Public-domain text, read in full here on John Shaqi.
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