Cradock Nowell: A Tale of the New Forest. Vol. 2 (of 3)Blackmore, R. D. (Richard Doddridge)
General
Cradock Nowell: A Tale of the New Forest. Vol. 2 (of 3)
Blackmore, R. D. (Richard Doddridge)
New Forest (England : Forest) -- Fiction
Morshead was resting for a moment upon a narrow piece of planking, amid
a regular Seven Dials of sidings, points, and turn–tables. Cradock
could scarcely see him, for trucks and vans and boxes on wheels
were gliding past in every direction, thick as the carts on London
Bridge, creaking, groaning, ricketing, lurching; thumping up against
one another, and then recoiling with a heavy kick, straining upon
coupling–chains, butting against bulkheads, staggering and jerking into
grooves and out of them, crushing flints into a shower of sparks, doing
anything and everything except standing still for a moment. And among
them rushed about, like dragons—ramping, and routing, and swearing
fearfully, gargling their throats with a boiling riot, and then goring
the ground with tusks of steam, whisking and flicking their tails,
and themselves, in and out at the countless cross–webs, screaming,
and leaping, and rattling, and booming—the great ponderous giant
goods–engines. Every man was out–swearing his neighbour, every truck
browbeating its fellow, every engine out–yelling its rival. There is
nothing on earth to compare with this scene, unless it be the jostling
and churning of ice–packs in Davisʼs Straits, when the tide runs hard,
and a gale of wind is blowing, and the floes have broken up suddenly.
And even that comparison fails, because, though the monsters grind and
crash, and labour and leap with agony, they do not roar, and vomit
steam, and swear at one another.
At the risk of his life, for as yet he knew nothing of the laws that
governed their movements—a very imperfect code, by–the–by—Cradock
made his way to the narrow staging where Morshead was taking a
breathing–time. His fellow “number–taker” of course descried him
coming; for he had acquired the art of seeing all round, as a spider is
falsely supposed to do. He knew, in a moment, by Cradockʼs dress, what
business he was meant for; and he said to himself, “Thank God!” in one
breath, for the sake of his wife and family; and “Oh, poor fellow!” in
the next, as he saw how green our Cradock was. Then he held up his
hands for Cradock to stop and waved them for him to run; and so piloted
him to the narrow knife–board, “where a manʼs life was his own aʼmost.”
The highest and noblest of physical courage is that which, fully
perceiving the danger, looking into the black pit of death, and seeing
the night of horrors there (undivested of horror by true religion),
encounters them all, treads the narrow cord daily, not for the sake of
honour or fortune; not because of the dash in it, and the excitement
to a brave soul; not even to win the heartʼs maiden, that pearl of
romance and mystery: but simply to supply the home, to keep in flow the
springs of love—whence the geyser heat is gone—to sustain and comfort
(without being comforted by them) the wife, whose beauty is passed
away, and who may have taken to scold, and the children, whose chief
idea of daddy is that he has got a halfpenny.
Public-domain text, read in full here on John Shaqi.
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