Cradock Nowell: A Tale of the New Forest. Vol. 2 (of 3)Blackmore, R. D. (Richard Doddridge)
General
Cradock Nowell: A Tale of the New Forest. Vol. 2 (of 3)
Blackmore, R. D. (Richard Doddridge)
New Forest (England : Forest) -- Fiction
And Zakey Jupp, requiring no answer, went slowly down the stairs, with
a great hand on either wall to save noise; then at a long trot, rolling
over all who came in his way, and rounding the corners, like a ship
whose rudder–bands are broken, he followed the doctor from street to
street, keeping up the same pace till he found him. Dr. Tink was coming
out of a court not far from Marylebone–lane, where the small–pox always
lay festering.
“Yeʼll just corm street ‘long wi’ me to the poor charp as saved our
Looey,” said Mr. Jupp, coolly getting into the brougham, and sitting in
the place of honour, while he dragged Dr. Tink in by the collar, and
set him upon the front seat. “Fire awa’ now for Martimer–straat,” he
yelled to the wondering coachman, “and if ye dunna laither the narg,
mind, Iʼll laither ye when we gits there.”
The nag was leathered to Mr. Juppʼs satisfaction, and far beyond his
own, and they arrived at the coal and cabbage shop before John Rosedew
had finished reading a paper which Mrs. Jupp had shown him, thinking
that it was a prescription.
“He wrote it in his sleep, sir, without knowing a thing about it; in
his sleep, or in his brain–wandering; I came in and found him at it, in
the middle of the night; and my, how cold his fingers was, and his head
so hot! We took it to three great chemists’ shops, but they could not
make it up. They hadnʼt got all the drugs, they said, and they couldnʼt
make out the quantities.”
“Neither can I,” said John; “but it rings well, considering that the
poor boy wrote it when his brain was weak with fever. The dialects are
somewhat muddled, moreover; but we must not be hypercritical.”
“No, sir, to be sure not. I am sure I meant no hypocrisy. Only you see
it ainʼt Christian writing; and Mr. Clinkers shake his head at it, and
say it come straight from the devil, and his hoof in every line of it.”
“Mrs. Jupp, the Greek characters are beautiful, though some of the
lines are not up to the mark. But, for my part, I wonder how any man
can write mixed Greek in London. Nevertheless, I shall have great
pleasure in talking it over with him, please God that he ever gets
well. To think that his poor weary brain should still be hankering
after his classics!”
It was the dirge in Cymbeline put into Greek choral metre, and John
Rosedewʼs tears flowed over the words, as Polydoreʼs had done, and
Cadwalʼs.
Unhappy Cradock! His misty brain had vapoured off in that sweet wild
dirge, which hovers above, as if the freed soul lingered, for the
clogged one to shake its wings to it.
Public-domain text, read in full here on John Shaqi.
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