Cradock Nowell: A Tale of the New Forest. Vol. 2 (of 3)Blackmore, R. D. (Richard Doddridge)
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Cradock Nowell: A Tale of the New Forest. Vol. 2 (of 3)
Blackmore, R. D. (Richard Doddridge)
New Forest (England : Forest) -- Fiction
“None whatever. Poetry, unless it be some oneʼs whose name is well
known, is a perfect drug in the market. In the course of ten or a dozen
years, by advertising continually, by influence among the reviewers,
by hitting some popular vein, or being taken up by some authority, you
might attain an audience. Are you ready to encounter all this? Even if
you are, we must decline, we are sorry to say, to have anything to do
with it.”
“Verse, eh? Better have cut your throat,” more tersely replied an
elderly gentleman, well known for his rudeness to authors. However,
even that last was a friend, when compared with some whom it might have
been his evil luck to consult. They advertise their patent methods
of putting a work before the public, without any risk to the author,
&c. &c. Disinterested gentlemen! They are to have no profit whatever,
except from the sale of the work, and they know they wonʼt sell five
copies.
However, there are not many of this sort in an honourable and most
important profession; and Cradock Nowell was lucky enough not to
fall in with any of them. So he accepted the verdict so unanimously
returned, and stored away with a heavy heart his laborious little
manuscript. It was only a translation in verse of the Halieutics, and a
few short original pieces—the former at any rate valuable, as having
been revised by John Rosedew.
There are courts and alleys in the neighbourhood of Mortimer–street
which, for misery and poverty, dirt and desperation, may vie with
almost any of the more famous shames of London.
Cradockʼs own great trouble, the sympathy he had met with, and the
comfort he received from it, had begun by this time to soften his
heart, and render it more sensitive to the distress of others. At
first, it had been far otherwise. The feeling of bitter injustice,
resentment at, and defiance of, a blow which seemed to him so
unmerited, and, worse than all, his own fatherʼs base and low mistrust
of him—who could have been surprised if these things, acting upon a
sad lone heart, and a bold mind beginning to think for itself, had made
the owner an infidel? And very likely they would have done so, when he
was removed from John Rosedewʼs influence, but for that scene with Amy.
He loved that girl so warmly, so devotedly, so purely, that, when he
found his love returned in equal quantity and quality, it renewed his
faith in justice. He saw that there is a measure and law, even where
all appears to be anarchy and anomaly; that the hand of God is not
stretched forth upon His children wantonly; that we cannot gauge His
circling survey by the three–inch space between human eyes, neither
does He rest His balance on His earthly footstool. So Cradock escaped
the deadly harm, which almost seems designed to poise that noblest
gift of Heaven—a free and glorious intellect—he escaped it through
the mercy which gave him true affection.
Public-domain text, read in full here on John Shaqi.
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