Cradock Nowell: A Tale of the New Forest. Vol. 3 (of 3)Blackmore, R. D. (Richard Doddridge)
General
Cradock Nowell: A Tale of the New Forest. Vol. 3 (of 3)
Blackmore, R. D. (Richard Doddridge)
New Forest (England : Forest) -- Fiction
It would not be an easy thing to find a fairer sight. Her white arms
on the twisted plumage of the deep green moss, the snowy arch of her
neck revealed as the clustering hair fell from it, and the frank and
playful forehead resting on the soft grey bark. She smiled in her sleep
every now and then, for her pleasant young humour must have its own way
when the schoolmaster, sorrow, was dozing; and then the sad dreaming of
trouble returned, and the hands were put up to pray, and the red lips
opened, whispering, “Come home! Only come to Amy!”
And then, in her dream, he was come—raining tears upon her cheek,
holding her from all the world, fearing to thank God yet. She was
smiling up at him; oh, it was so delicious! Suddenly she opened her
eyes. What made her face so wet? Why, Wena!
Wena, as sure as dogs are dogs; mounted on the mossy arm,
lick–lick–licking, mewing like a cat almost, even offering taste of her
tongue, while every bit of the Wena dog shook with ecstatic rapture.
“Oh, Wena, Wena! what are you come to tell me, Wena? Oh that you could
speak!”
Wena immediately proved that she could. She galloped round Amy, barking
and yelling, until the great wood echoed again; the rabbits, a mile
away, pricked their ears, and the yaffingales stopped from tapping.
Then off set the little dog down the footpath. Oh, could it be to fetch
somebody?
The mere idea of such a thing made Amy shake so, and feel so odd, she
was forced to put one hand against the tree, and the other upon her
heart. She could not look, she was in such a state; she could not look
down the footpath. It seemed, at least, a century, and it may have been
half a minute, before she heard through the bushes a voice—tush, she
means _the_ voice.
“Wena, you bad dog, come in to heel. Is this all you have learned by
travelling?”
But Wena broke fence and everything, set off full gallop again to Amy,
tugged at her dress, and retrieved her.
What happened after that Amy knows not, neither knows Cradock Nowell.
So anything I could tell would be a fond thing vainly invented. All
they remember is—looking back upon it, as both of them may, to the
zenith of their lives—that neither of them could say a word except
“darling, darling, darling!” all pronounced as superlatives, with “my
own,” once or twice between, and an exclusive sense of ownership,
illiberal and unphilosophical. What business have we with such minor
details? Who has sworn us accountants of kisses? All we have any right
to say is, that after a long spell of inarticulate tautology, Amy
looked up when Cradock proposed to add another cipher; very gravely,
indeed, she looked up; except in the deepest depth of her eyes.
“Oh no, Cradock. You must not think of it. Seriously now, you must
_not_, love.”
“Why? I should like to know, indeed! After all the time I have been
away!”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account