Cradock Nowell: A Tale of the New Forest. Vol. 3 (of 3)Blackmore, R. D. (Richard Doddridge)
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Cradock Nowell: A Tale of the New Forest. Vol. 3 (of 3)
Blackmore, R. D. (Richard Doddridge)
New Forest (England : Forest) -- Fiction
Yet the brook—though time flees faster, who can grudge one glance at
brooklet? Where the mock–myrtle begins to dip, where the young agrimony
comes up, and the early forget–me–not pushes its claim upon our
remembrance, and the water–lily floats half–way up, quivering dusk in
the clearness, like a trout upon the hover. Look how the little waves
dance towards us, glancing and casting over, drawing a tongue with
limpid creases from the broad pool above, then funnelling into a narrow
neck over a shelf of gravel, and bubbling and babbling with petulant
freaks into corners of calmer reflection. There an old tree leans
solemnly over, with brows bent, and arms folded, turning the course of
the brook with his feet, and shedding a crystal darkness.
Below this, the yellow banks break away into a scoop on either side,
where a green lane of the forest comes down and wades into the water.
Here is a favourite crossing–place for the cattle of the woodland,
and a favourite bower for cows to rest in, and chew the cud of soft
contemplation. And here is a grey wooden bridge for the footpath,
adding to rather than destroying the solitude of the scene, because it
is plain that a pair of feet once in a week would astonish it. Yet in
the depth of loneliness, and the quiet repose of shadow, all is hope,
and reassurance, sense of thanks, and breath of praise. For is not
the winter gone by, and forgotten, the fury and darkness and terror,
the inclination of March to rave, and the April too given to weeping?
Surely the time of sweet flowers is come, and the glory of summer
approaching, the freedom of revelling in the sun, the vesture of the
magnificent trees, and the singing of birds among them.
Through the great Huntley Wood, and along the banks of the Millaford
brook, this fine morning of the May, wander our Rosalind and Celia,
Amy to wit, and Eoa. It is a long way from Nowelhurst, but they have
brought their lunch, and mean to make a day of it in the forest,
seeking balm for wounded hearts in good green leaf and buoyant air.
Coming to the old plank–bridge, they sit upon a bank to watch the
rising of the trout, for the stone–fly is on the water. Eoa has a
great idea that she could catch a trout with a kidney–bean stick and a
fly; but now she has not the heart for it; and Amy says it would be so
cruel, and they are so pretty.
“What a lovely place!” says Amy; “I could sit here all day long. How
that crab–apple, clothed with scarlet, seems to rouge the water!”
“It isnʼt scarlet, I tell you, Amy, any more than you are. Itʼs only a
deep, deep pink. You never can tell colours.”
“Well, never mind. It is very pretty. And so are you when you are
good and not contradictory—ʼcontradictionary,’ as James Pottles calls
Coræbus.”
“Well, it does just as well. Whatʼs the good of being so particular? I
am sure I am none the better for it; and I have not jumped the brook
ever so long, and have thrown away my gaiters just because Uncle John
said—oh, you are all alike in England.”
Public-domain text, read in full here on John Shaqi.
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