The features of the king are strictly Pelasgic; and the facial angle, (allowing for the unnatural elevation of the ear,) measures upwards of eighty degrees. It is also remarkable that this head is strikingly like those of the Ptolemaic sovereigns of Egypt, and especially corresponds in every feature with the portrait of Ptolemy Euergetes II., although eighteen centuries elapsed between their respective reigns. We therefore recur to our proposition, that whether this effigy be a portrait or not, it at least proves that the artists of those primeval times derived their ideas of the human countenance from Caucasian models. The next of these heads which can be identified with its epoch, is that of Amunoph I. This again presents a fine cast of European features; such, in fact, as would embellish a Grecian statue; and yet this monarch reigned in the valley of the Nile, and held his court in Memphis more than eighteen hundred years before the birth of Christ. (Plate XIV., Fig. 1.) And if from this remote period we trace the physiognomy of the kings and queens of the subsequent reigns, we perceive among them many equally beautiful models, some of which are not inferior to the _beau ideal_ of classic art. Take, for example, the heads of Menepthah and Rameses III., in the character of priest,—Rameses X., Rameses XI., and Amenmeses,—the queens Nofre-Ari, and Nitocris, and the daughter of Phisham (or Pihmé,) the regent priest, and let me ask among what people we shall find more graceful facial lines, or more varied intellectual expression? (Plate XIV.) It may be suggested that in some of these heads the Pelasgic character is not wholly unmixed, and especially in reference to Amunoph the First. In this instance there is something of the Egyptian, or, as Professor Blumenbach would express it, the Hindoo physiognomy. I wish it to be understood, however, that I do not assert all these sovereigns to have been of the Pelasgic or Japetic stock; for some of them, as Rameses the Third, and Menepthah the First, are on other occasions represented with decidedly Egyptian features. These mixed and varied Caucasian lineaments may perhaps have been derived from the antecedent Hellenic kings, who in giving place again to the native Egyptians, must doubtless have left their national characteristics more or less blended with those of the indigenous families. The following heads, which are all of strictly Caucasian proportions, are _fac simile_ copies from Rosellini. They are derived from groups of figures engaged in various mechanical and other operations, as represented in the tombs and temples of Thebes, and various other parts of Egypt. [Illustration]