into concepts and so be propagated to other men; but all it does, often enough, is to develop the result of that intuition which transcends it. The truth is, the two procedures are of opposite direction: the same effort, by which ideas are connected with ideas, causes the intuition which the ideas were storing up to vanish. The philosopher is obliged to abandon intuition, once he has received from it the impetus, and to rely on himself to carry on the movement by pushing the concepts one after another. But he soon feels he has lost foothold; he must come into touch with intuition again; he must undo most of what he has done. In short, dialectic is what ensures the agreement of our thought with itself. But by dialectic--which is only a relaxation of intuition--many different agreements are possible, while there is only one truth. Intuition, if it could be prolonged beyond a few instants, would not only make the philosopher agree with his own thought, but also all philosophers with each other. Such as it is, fugitive and incomplete, it is, in each system, what is worth more than the system and survives it. The object of philosophy would be reached if this intuition could be sustained, generalized and, above all, assured of external points of reference in order not to go astray. To that end a continual coming and going is necessary between nature and mind. When we put back our being into our will, and our will itself into the impulsion it prolongs, we understand, we feel, that reality is a perpetual growth, a creation pursued without end. Our will already performs this miracle. Every human work in which there is invention, every voluntary act in which there is freedom, every movement of an organism that manifests spontaneity, brings something new into the world. True, these are only creations of form. How could they be anything else? We are not the vital current itself; we are this current already loaded with matter, that is, with congealed parts of its own substance which it carries along its course. In the composition of a work of genius, as in a simple free decision, we do, indeed, stretch the spring of our activity to the utmost and thus create what no mere assemblage of materials could have given (what assemblage of curves already known can ever be equivalent to the pencil-stroke of a great artist?) but there are, none the less, elements here that pre-exist and survive their organization. But if a simple arrest of the action that generates form could constitute matter (are not the original lines drawn by the artist themselves already the fixation and, as it were, congealment of a movement?), a creation of matter would be neither incomprehensible nor inadmissible. For we seize from within, we live at every instant, a creation of form, and it is just in those cases in which the form is pure, and in which the creative current is momentarily interrupted, that there is a creation of matter. Consider the letters of