Creative Intelligence: Essays in the Pragmatic AttitudeDewey, John
Philosophy
Creative Intelligence: Essays in the Pragmatic Attitude
Dewey, John
Philosophy; Pragmatism
A prominent characteristic of the doctrine advocated by James and
Bergson is the emphasis given to the foreshadowings or anticipations of
the future. Experiences of conflict, such as the struggle to recall a
name, take on their peculiar coloring, so these writers contend, from
their relationship to a beyond, to something which is yet to be. If we
are to understand experience as it really is, we must guard against the
besetting temptation to translate everything into spatial equivalents.
This forward reference is usually read off as a distinction and contrast
between simultaneously existing components. Some constituent is first
set apart as the nucleus or focus and is then enveloped with an elusive,
intangible wraith of meaning, which is called the margin. We have been
taught to think of the focus as made up of sensory material of some sort
and silhouetted against a background lit up by the fitful,
inconsequential heat-lightning of meaning. But this is a perversion of
the facts. When we are engaged in a problem it is precisely these
unformed meanings that are of interest and importance. They are in the
focus of consciousness, in so far as we can speak of a focus at all.
They absorb our attention and direct our energies. They inform us of a
margin, not by refusing to compete for our attention with more important
or more interesting facts, but by bodying forth the _unfinished_
character of the situation. Hence this beckoning, this tingling with the
sense of closeness, this sinking back when our efforts meet with defeat.
Focus and margin, in short, have to do with movement, with transition,
and not with a static field. These situations are felt as inherently
unstable and in process of reconstruction. There is a peculiar sense of
activity, of "something doing," of a future knocking on the door of the
present. What is thus on its way to the present we can designate only in
terms of the object as it is after it has arrived. To call it marginal
is to immerse the object in this temporal flux, which embodies perfectly
the characteristics of Bergsonian duration.
But this is only a first step. If we turn now to those experiences from
which this inner diremption of fact and meaning is absent, we find a
process that is essentially the same in kind. They likewise constitute a
temporal flow, even though there be no sense of duration or of change as
such. The different moments of these experiences are not mechanically
juxtaposed, but blend together in much the same way as when the process
is experienced as a process. In principle we have the same transition,
the same becoming, the same growth from less to more, the same activity
of continuous reconstruction. Conscious life, we find, is a continuous
adjustment; each of its moments is a "transitive state." The more evenly
flowing experiences are likewise endowed with a focus and margin, not in
the form of static elements, but as a dynamic relationship of what is
with what is to be.
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