Creed and Deed: A Series of DiscoursesAdler, Felix
Religion
Creed and Deed: A Series of Discourses
Adler, Felix
Ethical culture movement; Ethics; Religion
Happy, happy indeed if you seek no other reward
but the artist's joy in his work and know that to be your glory and your
recompense.
It is well, that there should be priests appointed to bear such messages
to us from time to time as we rest from our toil; to bring us face
to face with the inner life. But there are special occasions in these
passing years of ours, when the ideal bearings of life come home to us
with peculiar force and when we require the priest to be their proper
interpreter.
Marriage is one of them. We often hear it said that marriage is a mere
legal compact. The state, it is true, has a vital interest in protecting
the purity of the conjugal relation and may prescribe certain forms to
which its citizens are bound to conform. But has the meaning of the new
bond been indeed fully expressed, when the magistrate in the court room
has pronounced the young man and the maiden to be now husband and wife?
Among the ancient Hebrews youths and young girls were wont to meet
on the Day of Atonement, the most solemn day of the year, the day of
purification from sin, to cement their affections and plight their
troth. For marriage itself was esteemed an act of purification. Marriage
is the foundation of all morality. Its celebration does not end with the
wedding day: it is a constant celebration, a perpetual intermarrying of
two souls while life lasts.
Not the state only, but humanity also, that ideal state of which we are
all citizens, has an interest in the contract. A new sanctuary is to be
reared sacred to the ineffable mysteries of the home-life; in the home
with all the tender and holy associations that cluster about it let it
be dedicated. The supreme festival of humanity is marriage. There shall
be music and joy and a white-robed bride with myrtle wreath; and solemn
words to express the solemn meanings of the act.
Public-domain text, read in full here on John Shaqi.
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