A short time ago there was a proposal, emanating, if I am not mistaken,
from the Australian authorities, that the M.C.C. should undertake
the arranging and selection of an English eleven to represent this
country in a series of matches in Australia. The committee of the
M.C.C. undertook the task, though not, it must be confessed, in a very
sanguine spirit. Their labours did not last long. Difficulties met
them on the very threshold, and these difficulties were entirely on
the ground of the amateurs’ expenses. Now it must be assumed that, if
the principle of paying amateurs’ expenses be allowed, there ought to
be no difficulty in the way of settling with amateurs. A manager has
to go out; why should not he take all the tickets, pay the coaching
and railway expenses and hotel bills, receive the proper share of
the gate-money, and deliver the amateur safe back in his own country
without the payment to the amateur of a penny? The word expenses has a
well-defined and proper meaning, known to everybody. It represents the
actual cost to a player of living, travelling, and playing, from the
moment he leaves this country to the moment he sets foot in it again;
but it is perfectly certain that, if left to the amateur to make a sort
of private bargain, other and improper developments will take place,
and it is notorious that they do.
Now let us consider for a moment the position of affairs, as far as
this question of amateurs and professionals is concerned, in the case
of Australia. As was said before, there was some sort of discrimination
between the two in the first Colonial eleven in 1878. Both the
Bannermans, as noted above, were avowedly professionals, and Midwinter
also, if I remember rightly, and perhaps one or two others. But the
bulk were amateurs, and the mystic sign “Mr.” was placed before their
names. If no authoritative statement is made, and no balance-sheet
made public, nobody can be surprised if the facts are more or less
conjectural. But for all that, rumour in this instance is no lying
jade, and without fear of contradiction, I assert that many of the
so-called Australian “amateurs” who have been to this country have made
money over and above their expenses.[4] Let nobody be misled, or assume
from this that any stigma attaches to any of these Australian players;
it is not their fault, but some may complain of the system. The
profession of a cricketer, the calling of a professional, is in every
way an honourable and good one. What puzzles so many of us is that,
this being the case, so many should adopt the profession, but deny the
name. They seem to prefer the ambiguous position of a so-called amateur
to the straightforward, far more honourable one of a professional. This
is not the case in other professions. Take the case of the dramatic
career. There are many actors and actresses of more or less high social
standing who have been driven by their love of the work and skill to
adopt the calling of an actor.
Public-domain text, read in full here on John Shaqi.
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