is an important place for backing up and saving singles. It is a
good plan to put a left-handed man here, as he can better command the
strokes between himself and mid-on, which are generally so prolific
of runs. Having fielded one of these, he ought not to throw to the
wicket-keeper, as he is already facing the bowler’s wicket, and the
bowler’s wicket is facing him, should he wish to throw it down. He
should of course previously make a league with mid-off as to the
backing up. The late Mr. R. A. Fitzgerald, in the book just mentioned,
‘Jerks in from Short-leg,’ once urged the importance of putting
the ‘witty man’ short-leg as a convenient spot for cracking jokes.
Certainly conversation in the field is often of great service towards
keeping the men brisk. Short-leg has to back up all the returns from
the off side, dropping well back if short-slip comes across for this
purpose, and in any case leaving ten or fifteen yards between himself
and the wicket. A captain of an eleven feels himself very often bound
by an unwritten tradition to put the notoriously worst field in his
eleven short-leg. No doubt it is exceedingly difficult to judge which
is the natural position for a bad field, but we unhesitatingly say that
several matches have been lost by bad fields at short-leg. In the days
of his prime people used to watch W. G. Grace playing ball after ball
in the direction of short-leg, especially when left-handed bowlers were
on. The late famous J. C. Shaw was not a good field in any sense of the
word; he was consequently often to be seen fielding at short-leg, and
we wonder how many times he has missed W. G. Grace in that position?
Missing Grace was, and is still, a most expensive mistake. There are
several players who are weak in their play off their legs, and these
players are continually sending chances to short-leg, while other
players are extremely fond of playing off their legs, and score very
heavily by the stroke; and it is wonderful to see how many runs a quick
field will save when such men are batting.
LONG-STOP.
Public-domain text, read in full here on John Shaqi.
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