Further to study the movements of the features will require an
examination into the reasons for the action of these, and not other
muscles, as accompaniments of the psychical states. Piderit holds it is
due to the fact that the motor nerves which supply these muscles rise
right next to the purely psychical centers and hence these muscles are
the supports of the organs of sense. The latter is no doubt correct, but
the first statement is rather doubtful. In any event it is evident that
the features contain an exceptionally large number of fine muscles with
especially rich motor capacity, and hence move together and in
accordance with the psychical conditions. It may be that the other
muscles of the body have also a share in this but that we fail to
perceive the fact. Such movements, however, have not been essential.
We may take it as a general rule that all joyous and uplifting emotions
(even astonishment) are succeeded by the raising of the skin of the
forehead, the nostrils, the eyes, the eyelids, while sad and oppressing
emotions have the contrary effect. This simple and easy rule renders
immediately intelligible many an otherwise obscure expression which we
find important but concerning the meaning of which we are in doubt. The
development of a movement in any face goes, according to Harless,[123]
in this fashion: “The superior motor nerve is the oculomotorius. The
stimulation reaches this one first--the mildest alteration of emotion
betrays itself most rapidly in the look, the movement and condition of
the pupil of the eye. If the impulse is stronger it strikes the roots of
the motor end of the trigeminus and the movement of the muscles of
mastication occur; then the intensified affection spreads through the
other features.” Nobody will, of course, assert that even a completely
developed physiognomical science will help us over all our difficulties,
but with a little attention it can help us to a considerable degree.
This help we do need, as La Rochefoucauld points out, with even
contemporary correctness, “It is easier to know men than to know a
particular man.”
Section 21. (8) _The Hand._
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account