So the catastrophe had occurred.
Only in the second examination did it occur to anybody to ask whether
spider’s web can burn at all, and the first experiment showed that that
was impossible.
Most experiences of this kind indicate that in recognizing events we
must proceed slowly, without leaping, and that we may construct our
notions only on the basis of knowledge we already possess. Saint Thomas
says, “Omnes cognitio fit secundum similitudinem cogniti in
cognoscente.” If this bit of wisdom were kept in mind in the examination
of witnesses it would be an easier and simpler task than usual. Only
when the unknown is connected with the known is it possible to
understand the former. If it is not done the witness will hardly be able
to answer. He nowhere finds support, or he seeks one of his own, and
naturally finds the wrong one. So the information that an ordinary
traveler brings home is mainly identical with what he carries away, for
he has ears and eyes only for what he expects to see. For how long a
time did the negro believe that disease pales the coral that he wears?
Yet if he had only watched it he would have seen how foolish the notion
was. How long, since Adam Smith, did people believe that extravagance
helps industry, and how much longer have people called Copernicus a fool
because they actually saw the sun rise and set. So J. S. Mill puts his
opinions on this matter. Benneke[192] adds, “If anybody describes to me
an animal, a region, a work of art, or narrates an event, etc., I get no
notion through the words I hear of the appearance of the subject. I
merely have a problem set me by means of the words and signs, in the
conception of the subject, and hence it depends for truth mainly upon
the completeness of earlier conceptions of similar things or events, and
upon the material I have imaginatively at hand. These are my perceptual
capital and my power of representation.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account