In most instances it will be possible to make certain distinctions as to
when objectively too much and subjectively too little is said. That is
to say, the craftsman will exaggerate with regard to all general
questions, but with regard to his special fellow jealousy will establish
her rights. An absolute distinction may never be drawn, not even
subjectively. Suppose that A has something to say about his fellow
craftsman B, and suppose that certain achievements of B are to be
valued. If now A has been working in the same field as B he must not
depreciate too much the value of B’s work, since otherwise his own work
is in danger of the same low valuation. Objectively the converse is
true: for if A bulls the general efficiency of his trade, it doesn’t
serve his conceit, since we find simply that the competitor is in this
way given too high a value. It would be inadvisable to give particular
examples from special trades, but everybody who has before him one
“figulus” after another, from the lowest to the highest professions, and
who considers the statements they make about each other, will grant the
correctness of our contention. I do not, at this point, either, assert
that the matter is the same in each and every case, but that it is
generally so is indubitable.
There is still another thing to be observed. A good many people who are
especially efficient in their trades desire to be known as especially
efficient in some other and remote circle. It is historic that a certain
regent was happy when his very modest flute-playing was praised; a poet
was pleased when his miserable drawings were admired; a marshal wanted
to hear no praise of his victories but much of his very doubtful
declamation. The case is the same among lesser men. A craftsman wants to
shine with some foolishness in another craft, and “the philistine is
happiest when he is considered a devil of a fellow.” The importance of
this fact lies in the possibility of error in conclusions drawn from
what the subject himself tries to present about his knowledge and power.
With regard to the past it leads even fundamentally honest persons to
deception and lying.
So for example a student who might have been the most solid and harmless
in his class later makes suggestions that he was the wildest sport; the
artist who tried to make his way during his cubhood most bravely with
the hard-earned money of his mother is glad to have it known that he was
guilty as a young man of unmitigated nonsense; and the ancient dame who
was once the most modest of girls is tickled with the flattery of a
story concerning her magnificent flirtations. When such a matter is
important for us it must be received with great caution.
Public-domain text, read in full here on John Shaqi.
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