Crises in the History of the Papacy: A study of twenty famous popes whose careers and whose influence were important in the development of the church and in the history of the worldMcCabe, Joseph
History
Crises in the History of the Papacy: A study of twenty famous popes whose careers and whose influence were important in the development of the church and in the history of the world
McCabe, Joseph
Catholic Church -- History; Papacy -- History
It was, in fact, not so much the discriminating promotion of art and
culture as a princely luxuriousness that absorbed Leo's funds. He was
temperate at table. The cardinals and wealthier Romans continued to
enjoy the senselessly rich banquets which they seem to have copied from
the most decadent pages of Roman history. Cardinal Cornaro is noted as
giving a dinner of sixty-five courses on silver dishes. Banker Chigi,
a useful friend of Leo, had his valuable plate thrown into the river
after one choice banquet; and on the occasion of his marriage with his
mistress (whose finger was held by Leo to receive the ring) he brought
luxuries, even live fish, from the ends of Europe. Banker Strozzi gave
rival banquets, at which cardinals fraternized with courtesans. Leo
approved, and sometimes attended, these banquets (at Chigi's palace),
but was personally temperate. He had only one meal each day, and
fasting fare on three days in each week, but he spent immense sums on
musicians and trinket-makers, and many of his pleasures were in the
grossest taste of the time. Men of prodigious appetite--one of them a
Dominican friar--were brought to his table to amuse him and his guests
by their incredible gluttony. The Pope bandied verses with half-drunken
poetasters and patronized the coarsest buffoons as well as the keenest
wits. When he went to his country house at Magliana for a few weeks'
hunting--in which he displayed extraordinary vigour--he took a troop
of his poets, buffoons, musicians, and other parasites. At Carnival
time he entered into the wild gaiety of Rome; and comedies of the most
licentious character were staged before him. Ariosto's _Suppositi_
(in which Cardinal Cibò took a part), Machiavelli's _Mandragola_,
and Bibbiena's _Calandria_ alternated with Terence and Plautus. The
_Calandria_, written by Cardinal Bibbiena, Leo's chief favourite, the
frescoes of whose bathroom seem to have been like those on certain
rooms in Pompeii today, is a comedy of thin wit and unrestrained
license; the Pope had it presented in the Vatican for the entertainment
of Isabella d'Este.
Public-domain text, read in full here on John Shaqi.
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