2. MUSETTE (_cornemusa_ or bagpipe).--[3/4] [2/4] allegretto. Form 1. Always written over or under a pedal note, which is generally sustained to the end. It generally forms the second part (not period) to the gavotte. 3. GAVOTTE.--[4/4] allegro moderato. Rhythm [4/4: 4 4 | 4 8 8 4 4] or [4 8 8 | 4 4 4 4]. Always commences on the third beat. Form 3 or 5. When accompanied by a musette, the gavotte is always repeated. 4. BOURREE.--[C/2] allegro. Rhythm [C/2: 8 8 | 4 4 4 8 8]. Form 3 or 5. Generally faster than the gavotte, and commences on the fourth beat. 5. RIGAUDON.--Similar to the bourree, but slower. 6. LOURE.--Similar to the bourree, but slower. (In French the verb _lourer_ means "to hold," which may have been a characteristic of the _loure_ bass). 7. TAMBOURIN.--[C/2] allegro. In form and rhythm like the gavotte, but faster. Usually founded on a rhythmic pedal note imitating a tambourine. 8. CORRENTE, COURANTE.--[3/4] allegretto. Rhythm [3/4: 8 8 8 | 8 8 8 8 8 8] or [3/4: 8 | 8 8 8 8 8 8] (does not usually commence on the beat). Form 1, sometimes Form 2. The rhythm is usually uniform, a kind of perpetual motion, though not in one voice. 9. MINUET.--[3/4] generally a little slower than moderato, although in later minuets the tempo became allegretto. Rhythm, generally, [3/4: >(4 | 4) 4 4 | 4 8 8 8 8] etc. Old minuets often began on the first beat. Form 4; the third and fourth periods being generally in a different mode from the first and second periods, and called Trio or Minuet 2. Minuets exist also without the Trio, and are in Form 1 or 2. 10. CHACONNE.--[3/4] moderato. Form undecided; has sometimes even only one period, sometimes three or two. It is generally accompanied by doubles or variations, and is invariably written on a ground bass or _basso ostinato_. The rhythm is often syncopated. PASSACAILLE, [3/4], resembles a chaconne but is more stately. 11. WALTZ (old German).--[3/4] andante moderato. Generally Form 6. Rhythm [3/4: 4. 8 8. 16 | 8 8 4 8 8] approximately. 12. MARCH.--[4/4] allegro moderato. Rhythm [4/4: 8. 16 | 4 . 16 4 4 | 2. 3(8 8 8)] etc., or [4 | 4 8. 16 4 4] etc. Form 6. Generally all the periods are repeated and consist of eight measures each; third and fourth periods change the key and rhythm. 13. ALLEMANDE.--[4/4] moderato. Rhythm generally uniform sixteenth notes. Form 1. 14. PASSEPIED.--Quick minuet. 15. PAVANE, PADVANA, or PAVO (peacock).--[4/4] andante moderato. Rhythm [4/4: 4 8. 16 4. 8 | 8 8 8 8 2]. Form 2 or 6. Sometimes [2/4]; third and fourth periods in different keys. 16. GIGUE.--[2/4] [6/8] [3/4] [3/8] [9/8] [12/8] presto. Rhythm generally uniform eighth notes. Forms 1 and 2. 17. POLONAISE.--[3/4]. Rhythm [3/4: 8 16 16 8 16 16 4] or [16 16 8 16 16 8 4] allegro. Form 1, generally with short coda. MODERN FORMS (1800). 1. MAZURKA.--[3/4] allegretto. Form 6. Rhythm [3/4: 4 | 8. 16 4 4].