Critical and Historical Essays — Volume 1Macaulay, Thomas Babington Macaulay, Baron
History
Critical and Historical Essays — Volume 1
Macaulay, Thomas Babington Macaulay, Baron
English literature -- History and criticism; Great Britain -- History
providence to husband him so early for great affairs. Then shall he be
sure to find Him in France that Abraham did in Shechem and Joseph in
Egypt, under whose wing alone is perfect safety.”
Sir John Eliot employed himself, during his imprisonment, in writing a
treatise on government, which he transmitted to his friend. Hampden’s
criticisms are strikingly characteristic. They are written with all that
“flowing courtesy” which is ascribed to him by Clarendon. The objections
are insinuated with so much delicacy that they could scarcely gall
the most irritable author. We see too how highly Hampden valued in the
writings of others that conciseness which was one of the most striking
peculiarities of his own eloquence. Sir John Eliot’s style was, it
seems, too diffuse, and it is impossible not to admire the skill with
which this is suggested. “The piece,” says Hampden, “is as complete an
image of the pattern as can be drawn by lines, a lively character of
a large mind, the subject, method, and expression, excellent and
homogeneal, and, to say truth, sweetheart, somewhat exceeding my
commendations. My words cannot render them to the life. Yet, to show
my ingenuity rather than wit, would not a less model have given a full
representation of that subject, not by diminution but by contraction
of parts? I desire to learn. I dare not say. The variations upon each
particular seem many; all, I confess, excellent. The fountain was full,
the channel narrow; that may be the cause; or that the author resembled
Virgil, who made more verses by many than he intended to write. To
extract a just number, had I seen all his, I could easily have bid him
make fewer; but if he had bade me tell him which he should have spared,
I had been posed.”
This is evidently the writing not only of a man of good sense and
natural good taste, but of a man of literary habits. Of the studies of
Hampden little is known. But as it was at one time in contemplation to
give him the charge of the education of the Prince of Wales, it cannot
be doubted that his acquirements were considerable. Davila, it is said,
was one of his favourite writers. The moderation of Davila’s opinions
and the perspicuity and manliness of his style could not but recommend
him to so judicious a reader. It is not improbable that the parallel
between France and England, the Huguenots and the Puritans, had struck
the mind of Hampden, and that he already found within himself powers not
unequal to the lofty part of Coligni.
While he was engaged in these pursuits, a heavy domestic calamity fell
on him. His wife, who had borne him nine children, died in the summer
of 1634. She lies in the parish church of Hampden, close to the
manor-house. The tender and energetic language of her epitaph still
attests the bitterness of her husband’s sorrow, and the consolation
which he found in a hope full of immortality.
Public-domain text, read in full here on John Shaqi.
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