But there were other inmates of Moor Park to whom a far higher interest belongs. An eccentric, uncouth, disagreeable young Irishman, who had narrowly escaped plucking at Dublin, attended Sir William as an amanuensis, for board and twenty pounds a year, dined at the second table, wrote bad verses in praise of his employer, and made love to a very pretty, dark-eyed young girl, who waited on Lady Giffard. Little did Temple imagine that the coarse exterior of his dependant concealed a genius equally suited to politics and to letters, a genius destined to shake great kingdoms, to stir the laughter and the rage of millions, and to leave to posterity memorials which can perish only with the English language. Little did he think that the flirtation in his servants’ hall, which he perhaps scarcely deigned to make the subject of a jest, was the beginning of a long unprosperous love, which was to be as widely famed as the passion of Petrarch or of Abelard. Sir William’s secretary was Jonathan Swift. Lady Giffard’s waiting-maid was poor Stella. Swift retained no pleasing recollection of Moor Park. And we may easily suppose a situation like his to have been intolerably painful to a mind haughty, irascible, and conscious of pre-eminent ability. Long after, when he stood in the Court of Requests with a circle of gartered peers round him, or punned and rhymed with Cabinet Ministers over Secretary St. John’s Monte-Pulciano, he remembered, with deep and sore feeling, how miserable he used to be for days together when he suspected that Sir William had taken something ill. He could hardly believe that he, the Swift who chid the Lord Treasurer, rallied the Captain General, and confronted the pride of the Duke of Buckinghamshire with pride still more inflexible, could be the same being who had passed nights of sleepless anxiety, in musing over a cross look or a testy word of a patron. “Faith,” he wrote to Stella, with bitter levity, “Sir William spoiled a fine gentleman.” Yet, in justice to Temple, we must say that there is no reason to think that Swift was more unhappy at Moor Park than he would have been in a similar situation under any roof in England. We think also that the obligations which the mind of Swift owed to that of Temple were not inconsiderable. Every judicious reader must be struck by the peculiarities which distinguish Swift’s political tracts from all similar works produced by mere men of letters. Let any person compare, for example, the Conduct of the Allies, or the Letter to the October Club, with Johnson’s False Alarm, or Taxation no Tyranny, and he will be at once struck by the difference of which we speak. He may possibly think Johnson a greater man than Swift. He may possibly prefer Johnson’s style to Swift’s. But he will at once acknowledge that Johnson writes like a man who has never been out of his study. Swift writes like a man who has passed his whole life in the midst of public