feelings under the semblance of good humour or of contempt. With all his great talents, and all his long experience of the world, he had no more self-command than a petted child, or a hysterical woman. Whenever he was mortified, he exhausted the whole rhetoric of anger and sorrow to express his mortification. His torrents of bitter words, his stamping and cursing, his grimaces and his tears of rage, were a rich feast to those abject natures, whose delight is in the agonies of powerful spirits and in the abasement of immortal names. These creatures had now found out a way of galling him to the very quick. In one walk, at least, it had been admitted by envy itself that he was without a living competitor. Since Racine had been laid among the great men whose dust made the holy precinct of Port-Royal holier, no tragic poet had appeared who could contest the palm with the author of Zaire, of Alzire, and of Merope. At length a rival was announced. Old Crebillon, who, many years before, had obtained some theatrical success, and who had long been forgotten, came forth from his garret in one of the meanest lanes near the Rue St. Antoine, and was welcomed by the acclamations of envious men of letters, and of a capricious populace. A thing called Catiline, which he had written in his retirement, was acted with boundless applause. Of this execrable piece it is sufficient to say, that the plot turns on a love affair, carried on in all the forms of Scudery, between Catiline, whose confidant is the Praetor Lentulus, and Tullia, the daughter of Cicero. The theatre resounded with acclamations. The King pensioned the successful poet; and the coffee-houses pronounced that Voltaire was a clever man, but that the real tragic inspiration, the celestial fire which had glowed in Corneille and Racine, was to be found in Crebillon alone. The blow went to Voltaire’s heart. Had his wisdom and fortitude been in proportion to the fertility of his intellect, and to the brilliancy of his wit, he would have seen that it was out of the power of all the puffers and detractors in Europe to put Catiline above Zaire; but he had none of the magnanimous patience with which Milton and Bentley left their claims to the unerring judgment of time. He eagerly engaged in an undignified competition with Crebillon, and produced a series of plays on the same subjects which his rival had treated. These pieces were coolly received. Angry with the court, angry with the capital, Voltaire began to find pleasure in the prospect of exile. His attachment for Madame du Chatelet long prevented him from executing his purpose. Her death set him at liberty; and he determined to take refuge at Berlin.