Critical and Historical Essays — Volume 2Macaulay, Thomas Babington Macaulay, Baron
History
Critical and Historical Essays — Volume 2
Macaulay, Thomas Babington Macaulay, Baron
English literature -- History and criticism; Great Britain -- History
|THE author of this volume is a young man of unblemished character, and
of distinguished parliamentary talents, the rising hope of those stern
and unbending Tories who follow, reluctantly and mutinously, a leader
whose experience and eloquence are indispensable to them, but whose
cautious temper and moderate opinions they abhor. It would not be at all
strange if Mr. Gladstone were one of the most unpopular men in England.
But we believe that we do him no more than justice when we say that
his abilities and his demeanour have obtained for him the respect and
goodwill of all parties. His first appearance in the character of an
author is therefore an interesting event; and it is natural that the
gentle wishes of the public should go with him to his trial.
We are much pleased, without any reference to the soundness or
unsoundness of Mr. Gladstone’s theories, to see a grave and elaborate
treatise on an important part of the Philosophy of Government proceed
from the pen of a young man who is rising to eminence in the House of
Commons. There is little danger that people engaged in the conflicts
of active life will be too much addicted to general speculation. The
opposite vice is that which most easily besets them. The times and tides
of business and debate tarry for no man. A politician must often talk
and act before he has thought and read. He may be very ill informed
respecting a question; all his notions about it may be vague and
inaccurate; but speak he must; and if he is a man of ability, of tact,
and of intrepidity, he soon finds that, even under such circumstances,
it is possible to speak successfully. He finds that there is a great
difference between the effect of written words, which are perused and
reperused in the stillness of the closet, and the effect of spoken words
which, set off by the graces of utterance and gesture, vibrate for a
single moment on the ear. He finds that he may blunder without much
chance of being detected, that he may reason sophistically, and
escape unrefuted. He finds that, even on knotty questions of trade and
legislation, he can, without reading ten pages, or thinking ten minutes,
draw forth loud plaudits, and sit down with the credit of having made an
excellent speech. Lysias, says Plutarch, wrote a defence for a man who
was to be tried before one of the Athenian tribunals. Long before
the defendant had learned the speech by heart, he became so much
dissatisfied with it that he went in great distress to the author. “I
was delighted with your speech the first time I read it; but I liked it
less the second time, and still less the third time; and now it seems to
me to be no defence at all.” “My good friend,” says Lysias, “you quite
forget that the judges are to hear it only once.” The case is the same
in the English Parliament. It would be as idle in an orator to waste
deep meditation and long research on his speeches, as it would be in the
manager of a theatre to adorn all the crowd of courtiers and ladies who
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