Critical and Historical Essays — Volume 2Macaulay, Thomas Babington Macaulay, Baron
History
Critical and Historical Essays — Volume 2
Macaulay, Thomas Babington Macaulay, Baron
English literature -- History and criticism; Great Britain -- History
We are by no means without sympathy for Mr. Montagu even in what we
consider as his weakness. There is scarcely any delusion which has a
better claim to be indulgently treated than that under the influence
of which a man ascribes every moral excellence to those who have left
imperishable monuments of their genius. The causes of this error lie
deep in the inmost recesses of human nature. We are all inclined to
judge of others as we find them. Our estimate of a character always
depends much on the manner in which that character affects our own
interests and passions. We find it difficult to think well of those
by whom we are thwarted or depressed; and we are ready to admit every
excuse for the vices of those who are useful or agreeable to us. This
is, we believe, one of those illusions to which the whole human race is
subject, and which experience and reflection can only partially remove,
It is, in the phraseology of Bacon, one of the idola tribus. Hence it is
that the moral character of a man eminent in letters or in the fine arts
is treated, often by contemporaries, almost always by posterity, with
extraordinary tenderness. The world derives pleasure and advantage from
the performances of such a man. The number of those who suffer by his
personal vices is small, even in his own time, when compared with the
number of those to whom his talents are a source of gratification. In a
few years all those whom he has injured disappear. But his works remain,
and are a source of delight to millions. The genius of Sallust is
still with us. But the Numidians whom he plundered, and the unfortunate
husbands who caught him in their houses at unseasonable hours, are
forgotten. We suffer ourselves to be delighted by the keenness of
Clarendon’s observation, and by the sober majesty of his style, till we
forget the oppressor and the bigot in the historian. Falstaff and Tom
Jones have survived the gamekeepers whom Shakspeare cudgelled and
the landladies whom Fielding bilked. A great writer is the friend and
benefactor of his readers; and they cannot but judge of him under
the deluding influence of friendship and gratitude. We all know how
unwilling we are to admit the truth of any disgraceful story about a
person whose society we like, and from whom we have received favours;
how long we struggle against evidence, how fondly, when the facts cannot
be disputed, we cling to the hope that there may be some explanation or
some extenuating circumstance with which we are unacquainted. Just such
is the feeling which a man of liberal education naturally entertains
towards the great minds of former ages. The debt which he owes to them
is incalculable. They have guided him to truth. They have filled his
mind with noble and graceful images. They have stood by him in all
vicissitudes, comforters in sorrow, nurses in sickness, companions
in solitude. These friendships are exposed to no danger from the
occurrences by which other attachments are weakened or dissolved. Time
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