Whatever may have been the age at which Wycherley composed his plays, it is certain that he did not bring them before the public till he was upwards of thirty. In 1672 Love in a Wood was acted with more success than it deserved, and this event produced a great change in the fortunes of the author. The Duchess of Cleveland cast her eyes upon him, and was pleased with his appearance. This abandoned woman, not content with her complaisant husband and her royal keeper, lavished her fondness on a crowd of paramours of all ranks, from dukes to rope-dancers. In the time of the Commonwealth she commenced her career of gallantry, and terminated it under Anne, by marrying, when a great-grandmother, that worthless fop, Beau Fielding. It is not strange that she should have regarded Wycherley with favor. His figure was commanding, his countenance strikingly handsome, his look and deportment full of grace and dignity. He had, as Pope said long after, "the true nobleman look," the look which seems to indicate superiority, and a not unbecoming consciousness of superiority. His hair indeed, as he says in one of his poems, was prematurely gray. But in that age of periwigs this misfortune was of little importance. The Duchess admired him, and proceeded to make love to him, after the fashion of the coarse-minded and shameless circle to which she belonged. In the Ring, when the crowd of beauties and fine gentlemen was thickest, she put her head out of her coach-window, and bawled to him, "Sir, you are a rascal; you are a villain;" and, if she is not belied, she added another phrase of abuse which we will not quote, but of which we may say that it might most justly have been applied to her own children. Wycherley called on her Grace the next day, and with great humility begged to know in what way he had been so unfortunate as to disoblige her. Thus began an intimacy from which the poet probably expected wealth and honors. Nor were such expectations unreasonable. A handsome young fellow about the court, known by the name of Jack Churchill, was, about the same time, so lucky as to become the object of a short-lived fancy of the Duchess. She had presented him with five thousand pounds, the price, in all probability, of some title or pardon. The prudent youth had lent the money on high interest and on landed security; and this-judicious investment was the beginning of the most splendid private fortune in Europe. Wycherley was not so lucky. The partiality with which the great lady regarded him was indeed the talk of the whole town; and sixty years later old men who remembered those days told Voltaire that she often stole from the court to her lover's chambers in the Temple, disguised like a country girl, with a straw hat on her head, pattens on her feet, and a basket in her hand. The poet was indeed too happy and proud to be discreet. He dedicated to the Duchess the play which had led to their acquaintance, and in the dedication