Critical and Historical Essays, Volume III (of 3)Macaulay, Thomas Babington Macaulay, Baron
History
Critical and Historical Essays, Volume III (of 3)
Macaulay, Thomas Babington Macaulay, Baron
English literature -- History and criticism; Great Britain -- History
In the very year in which this bulky volume of obscene doggerel was
published, Wycherley formed an acquaintance of a very singular kind. A
little, pale, crooked, sickly, bright-eyed urchin, just turned of
sixteen, had written some copies of verses in which discerning judges
could detect the promise of future eminence. There was, indeed, as yet
nothing very striking or original in the conceptions of the young poet.
But he was already skilled in the art of metrical composition. His
diction and his music were not those of the great old masters; but that
which his ablest contemporaries were laboring to do he already did best.
His style was not richly poetical; but it was always neat, compact, and
pointed. His verse wanted variety of pause, of swell, and of cadence,
but never grated harshly on the ear, or disappointed it by a feeble
close. The youth was already free of the company of wits, and was
greatly elated at being introduced to the author of the Plain Dealer and
the Country Wife.
It is curious to trace the history of the intercourse which took place
between Wycherley and Pope, between the representative of the age that
was going out and the representative of the age that was coming in,
between the friend of Rochester and Buckingham and the friend of
Lyttelton and Mansfield. At first the boy was enchanted by the kindness
and condescension of so eminent a writer, haunted his door, and followed
him about like a spaniel from coffee-house to coffee-house. Letters full
of affection, humility, and fulsome flattery were interchanged between
the friends. But the first ardor of affection could not last. Pope,
though at no time scrupulously delicate in his writings or fastidious as
to the morals of his associates, was shocked by the indecency of a rake
who, at seventy, was still the representative of the monstrous
profligacy of the Restoration. As the youth grew older, as his mind
expanded and his fame rose, he appreciated both himself and Wycherley
more correctly. He felt a just contempt for the old gentleman's verses,
and was at no great pains to conceal his opinion. Wycherley, on the
other hand, though blinded by self-love to the imperfections of what he
called his poetry, could not but see that there was an immense
difference between his young companion's rhymes and his own. He was
divided between two feelings. He wished to have the assistance of so
skilful a hand to polish his lines; and yet he shrank from the
humiliation of being beholden for literary assistance to a lad who might
have been his grandson. Pope was willing to give assistance, but was by
no means disposed to give assistance and flattery too. He took the
trouble to retouch whole reams of feeble stumbling verses, and inserted
many vigorous lines which the least skilful reader will distinguish in
an instant. But he thought that by these services he acquired a right to
express himself in terms which would not, under ordinary circumstances,
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