Critical and Historical Essays, Volume III (of 3)Macaulay, Thomas Babington Macaulay, Baron
History
Critical and Historical Essays, Volume III (of 3)
Macaulay, Thomas Babington Macaulay, Baron
English literature -- History and criticism; Great Britain -- History
much offence to this Christian divine as they could have given to the
priests of Memphis.
But, when all deductions have been made, great merit must be allowed to
this work. There is hardly any book of that time from which it would be
possible to select specimens of writing so excellent and so various. To
compare Collier with Pascal would indeed be absurd. Yet we hardly know
where, except in the Provincial Letters, we can find mirth so
harmoniously and becomingly blended with solemnity as in the Short View.
In truth, all the modes of ridicule, from broad fun to polished and
antithetical sarcasm, were at Collier's command. On the other hand, he
was complete master of the rhetoric of honest indignation. We scarcely
know any volume which contains so many bursts of that peculiar eloquence
which comes from the heart and goes to the heart. Indeed the spirit of
the book is truly heroic. In order fairly to appreciate it, we must
remember the situation in which the writer stood. He was under the frown
of power. His name was already a mark for the invectives of one half of
the writers of the age, when, in the cause of good taste, good sense,
and good morals, he gave battle to the other half. Strong as his
political prejudices were, he seems on this occasion to have entirely
laid them aside. He has forgotten that he is a Jacobite, and remembers
only that he is a citizen and a Christian. Some of his sharpest censures
are directed against poetry which had been hailed with delight by the
Tory party, and had inflicted a deep wound on the Whigs. It is
inspiriting to see how gallantly the solitary outlaw advances to attack
enemies, formidable separately, and, it might have been thought,
irresistible when combined, distributes his swashing blows right and
left among Wycherley, Congreve, and Vanbrugh, treads the wretched
D'Urfey down in the dirt beneath his feet, and strikes with all his
strength full at the towering crest of Dryden.
The effect produced by the Short View was immense. The nation was on the
side of Collier. But it could not be doubted that, in the great host
which he had defied, some champion would be found to lift the gauntlet.
The general belief was that Dryden would take the field; and all the
wits anticipated a sharp contest between two well-paired combatants. The
great poet had been singled out in the most marked manner. It was well
known that he was deeply hurt, that much smaller provocations had
formerly roused him to violent resentment, and that there was no
literary weapon, offensive or defensive, of which he was not master. But
his conscience smote him; he stood abashed, like the fallen archangel at
the rebuke of Zephon,--
"And felt how awful goodness is, and saw
Virtue in her shape how lovely; saw and pined
His loss."
Public-domain text, read in full here on John Shaqi.
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