Critical, Historical, and Miscellaneous Essays; Vol. 2: With a Memoir and IndexMacaulay, Thomas Babington Macaulay, Baron
Philosophy
Critical, Historical, and Miscellaneous Essays; Vol. 2: With a Memoir and Index
Macaulay, Thomas Babington Macaulay, Baron
English literature -- History and criticism; Great Britain -- History
One of the most remarkable passages in the Pilgrim’s Progress is that in
which the proceedings against Faithful are described. It is impossible
to doubt that Bunyan intended to satirise the mode in whieh state
trials were conducted under Charles the Second. The license given to the
witnesses for the prosecution, the shameless partiality and ferocious
insolence of the judge, the precipitancy and the blind rancour of the
jury, remind us of those odious mummeries which, from the Restoration to
the Revolution, were merely forms preliminary to hanging, drawing, and
quartering. {266}Lord Hategood performs the office of counsel for the
prisoners as well as Scroggs himself could have performed it.
“_Judge. Thou runagate, heretic, and traitor, hast thou heard what these
honest gentlemen have witnessed against thee?
“Faithful. May I speak a few words in my own defence?
“Judge. Sirrah, sirrah! thou deservest to live no longer, but to
be slain immediately upon the place; yet, that all men may see our
gentleness to thee, let us hear what thou, vile runagate, hast to say._”
No person who knows the state trials can be at a loss for parallel
cases. Indeed, write what Bunyan would, the baseness and cruelty of the
lawyers of those times “sinned up to it still,” and even went beyond it.
The imaginary trial of Faithful, before a jury composed of personified
vices, was just and merciful, when compared with the real trial of Alice
Lisle before that tribunal where all the vices sat in the person of
Jefferies.
The style of Bunyan is delightful to every reader, and invaluable as
a study to every person who wishes to obtain a wide command over the
English language. The vocabulary is the vocabulary of the common people.
There is not an expression, if we except a few technical terms of
theology, which would puzzle the rudest peasant. We have observed
several pages which do not contain a single word of more than two
syllables. Yet no writer has said more exactly what he meant to say.
For magnificence, for pathos, for vehement exhortation, for subtle
disquisition, for every purpose of the poet, the orator, and the divine,
this homely dialect, the dialect of plain working men, was perfectly
sufficient. There is no book in our literature on which we would so
readily stake the fame of {267}the old unpolluted English language, no
book which shows so well how rich that language is in its own proper
wealth, and how little it has been improved by all that it has borrowed.
Public-domain text, read in full here on John Shaqi.
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