Critical, Historical, and Miscellaneous Essays; Vol. 2: With a Memoir and IndexMacaulay, Thomas Babington Macaulay, Baron
Philosophy
Critical, Historical, and Miscellaneous Essays; Vol. 2: With a Memoir and Index
Macaulay, Thomas Babington Macaulay, Baron
English literature -- History and criticism; Great Britain -- History
{325}of Lord Byron; and it is difficult to speak too highly of the skill
which has been shown in the selection and arrangement. We will not say
that we have not occasionally remarked in these two large quartos an
anecdote which should have been omitted, a letter which should have been
suppressed, a name which should have been concealed by asterisks, or
asterisks which do not answer the purpose of concealing the name. But
it is impossible, on a general survey, to deny that the task has been
executed with great judgment and great humanity. When we consider the
life which Lord Byron had led, his petulance, his irritability, and his
communicativeness, we cannot but admire the dexterity with which Mr.
Moore has contrived to exhibit so much of the character and opinions of
his friend, with so little pain to the feelings of the living.
The extracts from the journals and correspondence of Lord Byron are in
the highest degree valuable, not merely on account of the information
which they contain respecting the distinguished man by whom they were
written, but on account also of their rare merit as compositions. The
Letters, at least those which were sent from Italy, are among the best
in our language. They are less affected than those of Pope and Walpole;
they have more matter in them than those of Cowper. Knowing that many of
them were not written merely for the person to whom they were directed,
but were general epistles, meant to be read by a large circle, we
expected to find them clever and spirited, but deficient in ease. We
looked with vigilance for instances of stiffness in the language and
awkwardness in the transitions. We have been agreeably disappointed;
and we must confess that, if the epistolary style of Lord Byron was
artificial, it was a {326}rare and admirable instance of that highest
art which cannot be distinguished from nature.
Of the deep and painful interest which this book excites no abstract can
give a just notion. So sad and dark a story is scarcely to be found in
any work of fiction; and we are little disposed to envy the moralist who
can read it without being softened.
Public-domain text, read in full here on John Shaqi.
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