Critical, Historical, and Miscellaneous Essays; Vol. 2: With a Memoir and IndexMacaulay, Thomas Babington Macaulay, Baron
Philosophy
Critical, Historical, and Miscellaneous Essays; Vol. 2: With a Memoir and Index
Macaulay, Thomas Babington Macaulay, Baron
English literature -- History and criticism; Great Britain -- History
Another law of heroic rhyme, which, fifty years ago, was considered as
fundamental, was, that there should be a pause, a comma at least, at the
end of every couplet. It was also provided that there should never be a
full stop except at the end of a line. Well do we remember to have heard
a most correct judge of poetry revile Mr. Rogers for the incorrectness
of that most sweet and graceful passage,
“Such grief was ours,--it seems but yesterday,--
When in thy prime, wishing so much to stay,
’Twas thine, Maria, thine without a sigh
At midnight in a sister’s arms to die.
Oh thou wert lovely; lovely was thy frame,
And pure thy spirit as from heaven it came:
And when recalled to join the blest above
Thou diedst a victim to exceeding love,
Nursing the young to health. In happier hours,
When idle Fancy wove luxuriant flowers,
Once in thy mirth thou badst me write on thee;
And now I write what thou shalt never see."
Sir Roger Newdigate is fairly entitled, we think, to be ranked among
the great critics of this school. He made a law that none of the poems
written for the prize which he established at Oxford should exceed
fifty lines. This law seems to us to have at least as much foundation in
reason as any of those which we {343}have mentioned; nay, much more,
for the world, we believe, is pretty well agreed in thinking that the
shorter a prize-poem is, the better.
We do not see why we should not make a few more rules of the same kind;
why we should not enact that the number of scenes in every act shall be
three or some multiple of three, that the number of lines in every scene
shall be an exact square, that the _dramatis personae_ shall never
be more or fewer than sixteen, and that, in heroic rhymes, every
thirty-sixth line shall have twelve syllables. If we were to lay down
these canons, and to call Pope, Goldsmith, and Addison incorrect writers
for not having complied with our whims, we should act precisely as those
critics act who find incorrectness in the magnificent imagery and the
varied music of Coleridge and Shelley.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account