Mr. Southey has not been fortunate in the plan of any of his fictitious narratives. But he has never failed so conspicuously as in the work before us; except, indeed, in the wretched Vision of Judgment. In November, 1817, it seems the Laureate was sitting over his newspaper, and meditating about the death of the Princess Charlotte. An elderly person of very dignified aspect makes his appearance, announces himself as a stranger from a distant country, and apologizes very politely for not having provided himself with letters of introduction. Mr. Southey supposes his visitor to be some American gentleman who has come to see the lakes and the lake-poets, and accordingly proceeds to perform, with that grace, which only long practice can give, all the duties which authors owe to starers. He assures his guest that some of the most agreeable visits which he has received have been from Americans, and that he knows men among them whose talents and virtues would do honour to any country. In passing we may observe, to the honour of Mr. Southey, that, though he evidently has no liking for the American institutions, he never speaks of the people of the United States with that pitiful affectation of contempt by which some members of his party have done more than wars or tariffs can do to excite mutual enmity between two communities formed for mutual friendship. Great as the faults of his mind are, paltry spite {143}like this has no place in it. Indeed it is scarcely conceivable that a man of his sensibility and his imagination should look without pleasure and national pride on the vigorous and splendid youth of a great people, whose veins are filled with our blood, whose minds are nourished with our literature, and on whom is entailed the rich inheritance of our civilisation, our freedom, and our glory. But we must return to Mr. Southey’s study at Keswick. The visitor informs the hospitable poet that he is not an American but a spirit. Mr. Southey, with more frankness than civility, tells him that he is a very queer one. The stranger holds out his hand. It has neither weight nor substance. Mr. Southey upon this becomes more serious; his hair stands on end; and he adjures the spectre to tell him what he is, and why he comes. The ghost turns out to be Sir Thomas More. The traces of martyrdom, it seems, are worn in the other world, as stars and ribands are worn in this. Sir Thomas shows the poet a red streak round his neck, brighter than a ruby, and informs him that Cranmer wears a suit of flames in paradise, the right hand glove, we suppose, of peculiar brilliancy. Sir Thomas pays but a short visit on this occasion, but promises to cultivate the new acquaintance which he has formed, and, after begging that his visit may be kept secret from Mrs. Southey, vanishes into air.