Critical, Historical, and Miscellaneous Essays; Vol. 3: With a Memoir and IndexMacaulay, Thomas Babington Macaulay, Baron
History
Critical, Historical, and Miscellaneous Essays; Vol. 3: With a Memoir and Index
Macaulay, Thomas Babington Macaulay, Baron
English literature -- History and criticism; Great Britain -- History
Prince of Wales to supply the colonies with military stores out of his
own pocket. We have perhaps dwelt too long on these passages; but we
have done so because they are specimens of Walpole’s manner. Everybody
who reads his works with attention, will find that they swarm with
loose, and foolish observations like those which we have cited;
observations which might pass in conversation or in a hasty letter,
but which are unpardonable in books deliberately written and repeatedly
corrected.
He appears to have thought that he saw very far into men; but we are
under the necessity of altogether dissenting from his opinion. We do
not conceive that he had any power of discerning the finer shades of
character. He practised an art, however, which, though easy and even
vulgar, obtains for those who practise it the reputation of discernment
with ninety-nine people out of a hundred. He sneered at everybody, put
on every action the worst construction which it would bear, “spelt every
man backward,” to borrow the Lady Hero’s phrase,
“Turned every man the wrong side out,
And never gave to truth and virtue that
Which simpleness and merit purchaseth.”
In this way any man may, with little sagacity and little {159}trouble,
be considered by those whose good opinion is not worth having as a great
judge of character.
It is said that the hasty and rapacious Kneller used to send away the
ladies who sate to him as soon as he had sketched their faces, and to
paint the figure and hands from his housemaid. It was in much the same
way that Walpole portrayed the minds of others. He copied from the life
only those glaring and obvious peculiarities which could not escape the
most superficial observation. The rest of the canvas he filled up, in a
careless dashing way, with knave and fool, mixed in such proportions as
pleased Heaven. What a difference between these daubs and the masterly
portraits of Clarendon.
Public-domain text, read in full here on John Shaqi.
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