Critical, Historical, and Miscellaneous Essays; Vol. 3: With a Memoir and IndexMacaulay, Thomas Babington Macaulay, Baron
History
Critical, Historical, and Miscellaneous Essays; Vol. 3: With a Memoir and Index
Macaulay, Thomas Babington Macaulay, Baron
English literature -- History and criticism; Great Britain -- History
But, as this art is one which even the ablest men have seldom acquired
without long practice, so it is one which men of respectable abilities,
with assiduous and intrepid practice, seldom fail to acquire. It is
singular that, in such an art, Pitt, a man of great parts, of great
fluency, of great boldness, a man whose whole life was passed in
parlimentary conflict, a man who, during several years was the leading
minister of the Crown in the House of Commons, should never have
attained to high excellence. He spoke without premeditation; but his
speech followed the course of his own thoughts, and not the course of
the previous discussion. He could, indeed, treasure up in his memory
some detached expression of an opponent, and make it the text for lively
ridicule or solemn reprehension. Some of the most celebrated bursts
of his eloquence were called forth by an unguarded word, a laugh, or a
cheer. But this was the only sort of reply in which he appears to have
excelled. He was perhaps the only great English orator who did not
think it any advantage to have the last word, and who generally spoke
by choice before his most formidable antagonists. His merit was almost
entirely rhetorical. He did not succeed either in exposition or in
refutation; but his speeches abounded in lively illustrations, striking
apophthegms, well told anecdotes, happy allusions, passionate appeals.
His invective and sarcasm were terrific. Perhaps no English orator was
ever so much feared.
But that which gave most effect to his declamation was the air of
sincerity, of vehement feeling, of moral {215}elevation, which belonged
to all that he said. His style was not always in the purest taste.
Several contemporary judges pronounced it too florid. Walpole, in the
midst of the rapturous eulogy which he pronounces on one of Pitt’s
greatest orations, owns that some of the metaphors were too forced. Some
of Pitt’s quotations and classical stories are too trite for a clever
schoolboy. But these were niceties for which the audience eared little.
The enthusiasm of the orator infected all who heard him; his ardour
and his noble bearing put fire into the most frigid conceit, and gave
dignity to the most puerile allusion.
Public-domain text, read in full here on John Shaqi.
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