which the author would probably have removed if he had lived to complete his work. But, in spite of these blemishes, we must say that we should find it difficult to point out, {261}in any modern history, any passage of equal length and at the same time of equal merit. We find in it the diligence, the accuracy, and the judgment of Hallam, united to the vivacity and the colouring of Southey. A history of England, written throughout in this manner, would be the most fascinating book in the language. It would be more in request at the circulating libraries than the last novel. Sir James was not, we think, gifted with poetical imagination. But that lower kind of imagination which is necessary to the historian he had in large measure. It is not the business of the historian to create new worlds and to people them with new races of beings. He is to Homer and Shakspeare, to Dante and Milton, what Nollekens was to Canova, or Lawrence to Michael Angelo. The object of the historian’s imitation is not within him; it is furnished from without. It is not a vision of beauty and grandeur discernible only by the eye of his own mind, but a real model which he did not make, and which he cannot alter. Yet his is not a mere mechanical imitation. The triumph of his skill is to select such parts as may produce the effect of the whole, to bring out strongly all the characteristic features, and to throw the light and shade in such a manner as may heighten the effect. This skill, as far as we can judge, from the unfinished work now before us, Sir James Mackintosh possessed in an eminent degree.