Critical, Historical, and Miscellaneous Essays; Vol. 3: With a Memoir and IndexMacaulay, Thomas Babington Macaulay, Baron
History
Critical, Historical, and Miscellaneous Essays; Vol. 3: With a Memoir and Index
Macaulay, Thomas Babington Macaulay, Baron
English literature -- History and criticism; Great Britain -- History
dying in the commission of known sin. He was defrauding his relatives.
He was bequeathing civil war to his people. He yielded, and signed
that memorable Testament, the cause of many calamities to Europe. As he
affixed his name to the instrument, he burst into tears. “God,” he said,
“gives kingdoms and takes them away. I am already one of the dead.”
The will was kept secret during the short remainder of his life. On the
third of November 1700 he expired. All Madrid crowded to the palace.
The gates were thronged. The antechamber was filled with ambassadors and
grandees, eager to learn what dispositions the deceased sovereign had
made. At length the folding doors were flung open. The Duke of Abrantes
came forth, and announced that the whole Spanish monarchy was bequeathed
to Philip Duke of Anjou. {99}Charles had directed that, during the
interval which might elapse between his death and the arrival of his
successor, the government should be administered by a council, of which
Porto Carrero was the chief member.
Lewis acted, as the English ministers might have guessed that he would
act. With scarcely the show of hesitation, he broke through all the
obligations of the Partition Treaty, and accepted for his grandson
the splendid legacy of Charles. The new sovereign hastened to take
possession of his dominions. The whole court of France accompanied him
to Sceaux. His brothers escorted him to that frontier which, as they
weakly imagined, was to be a frontier no longer. “The Pyrenees,” said
Lewis, “have ceased to exist.” Those very Pyrenees, a few years later,
were the theatre of a war between the heir of Lewis and the prince whom
France was now sending to govern Spain.
Public-domain text, read in full here on John Shaqi.
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