Critical, Historical, and Miscellaneous Essays; Vol. 4: With a Memoir and IndexMacaulay, Thomas Babington Macaulay, Baron
History
Critical, Historical, and Miscellaneous Essays; Vol. 4: With a Memoir and Index
Macaulay, Thomas Babington Macaulay, Baron
English literature -- History and criticism; Great Britain -- History
he upheld the authority of his see, and the unadulterated doctrines
of his Church, with all the stubbornness and vehemence of Hildebrand.
Gregory the Thirteenth exerted himself not only to imitate but to
surpass Pius in the severe virtues of his sacred profession. As was the
head, such were the members. The change in the spirit of the Catholic
world may be traced in every walk of literature and of art. It will be
at once perceived by every person who compares the poem of Tasso with
that of Ariosto, or the monuments of Sixtus the Fifth with those of Leo
the Tenth.
But it was not on moral influence alone that the Catholic Church relied.
The civil sword in Spain and Italy was unsparingly employed in her
support. The {325}Inquisition was armed with new powers and inspired
with a new energy. If Protestantism, or the semblance of Protestantism,
showed itself in any quarter, it was instantly met, not by petty,
teasing persecution, but by persecution of that sort which bows down
and crashes all but a very few select spirits. Whoever was suspected of
heresy, whatever his rank, his learning, or his reputation, knew that
he must purge himself to the satisfaction of a severe and vigilant
tribunal, or die by fire. Heretical books were sought out and destroyed
with similar rigour. Works which were once in every house were so
effectually suppressed that no copy of them is now to be found in the
most extensive libraries. One book in particular, entitled “Of the
Benefits of the Death of Christ,” had this fate. It was written in
Tuscan, was many times reprinted, and was eagerly read in every part
of Italy. But the inquisitors detected in it the Lutheran doctrine
of justification by faith alone. They proscribed it; and it is now as
hopelessly lost as the second decade of Livy.
Public-domain text, read in full here on John Shaqi.
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