Critical, Historical, and Miscellaneous Essays; Vol. 4: With a Memoir and IndexMacaulay, Thomas Babington Macaulay, Baron
History
Critical, Historical, and Miscellaneous Essays; Vol. 4: With a Memoir and Index
Macaulay, Thomas Babington Macaulay, Baron
English literature -- History and criticism; Great Britain -- History
ordinary circumstances, become one who was addressing a man of four
times his age. In one letter he tells Wycherley that “the worst pieces
are such as, to render them very good, would require almost the entire
new writing of them.” In another, he gives the following account of his
corrections: “Though the whole be as short again as at first, there is
not one thought omitted but what is a repetition of something in your
first volume, or in this very paper; and the versification throughout
is, I believe, such as nobody can be shocked at. The repeated permission
you give me of dealing freely with you, will, I hope, excuse what I have
done; for, if I have not spared you when I thought severity would do you
a kindness, I have not mangled you where there was no absolute
need of amputation.” Wycherley continued to return thanks for all this
hacking and hewing, which was, indeed, of inestimable service to
his compositions. But at last his thanks began to sound very like
reproaches. In private, he is said to have described Pope as a person
who could not cut out a suit, but who had some skill in turning
old coats. In his letters to Pope, while he acknowledged that the
versification of the poems had been greatly improved, he spoke of
the whole art of versification with scorn, and sneered at those who
preferred sound to sense. Pope revenged himself for this outbreak of
spleen by return of post. He had in his hands a volume of Wycherley’s
rhymes, {383}and he wrote to say that this volume was so full of faults
that he could not correct it without completely defacing the manuscript.
“I am,” he said, “equally afraid of sparing you, and of offending you
by too impudent a correction.” This was more than flesh and blood could
bear. Wycherley reclaimed his papers, in a letter in which resentment
shows itself plainly through the thin disguise of civility. Pope, glad
to be rid of a troublesome and inglorious task, sent back the deposit,
and, by way of a parting courtesy, advised the old man to turn his
poetry into prose, and assured him that the public would like thoughts
much better without his versification. Thus ended this memorable
correspondence.
Wycherley lived some years after the termination of the strange
friendship which we have described. The last scene of his life
was, perhaps, the most scandalous. Ten days before his death, at
seventy-five, he married a young girl, merely in order to injure his
nephew, an act which proves that neither years, nor adversity, nor what
he called his philosophy, nor either of the religions which he had at
different times professed, had taught him the rudiments of morality. He
died in December, 1715, and lies in the vault under the church of St.
Paul in Convent-Garden.
Public-domain text, read in full here on John Shaqi.
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