Potsdam was, in truth, what it was called by one of its most illustrious inmates, the Palace of Alcina. At the first glance it seemed to be a delightful spot, where every intellectual and physical enjoyment awaited the happy adventurer. Every new comer was received with eager hospitality, intoxicated with battery, encouraged to expect prosperity and greatness. It was in vain that a long; succession of favourites who had entered that abode with delight and hope, and who, after a short term of delusive happiness, had been doomed to expiate their folly by years of wretchedness and degradation, raised their voices to warn the aspirant who approached the charmed threshold. Some had wisdom enough to discover the truth early, and spirit enough to fly without looking back; others lingered on to a cheerless and unhonoured old age. We have no hesitation in saying that the poorest author of that time in London, sleeping on a bulk, dining in a cellar, with a cravat of paper, and a skewer for a shirt-pin, was a happier man than any of the literary inmates of Frederic’s court. But of all who entered the enchanted garden in the inebriation of delight, and quitted it in agonies of rage and shame, the most remarkable was Voltaire. Many circumstances had made him desirous of finding a home at a distance from his country. His fame had {194}raised him up enemies. His sensibility gave them a formidable advantage over him. They were, indeed, contemptible assailants. Of all that they wrote against him, nothing has survived except what he has himself preserved. But the constitution of his mind resembled the constitution of those bodies in which the slightest scratch of a bramble, or the bite of a gnat, never fails to fester. Though his reputation was rather raised than lowered by the abuse of such writers as Fréron and Desfontaines, though the vengeance which he took on Fréron and Desfontaines was such, that scourging branding, pillorying, would have been a trifle to it, there is reason to believe that they gave him far more pain than he ever gave them. Though he enjoyed during his own lifetime the reputation of a classic, though he was extolled by his contemporaries above all poets, philosophers, and historians, though his works were read with as much delight and admiration at Moscow and Westminster, at Florence and Stockholm, as at Paris itself, he was yet tormented by that restless jealousy which should seem to belong only to minds burning with the desire of fame, and yet conscious of impotence. To men of letters who could by no possibility be his rivals, he was, if they behaved well to him, not merely just, not merely courteous, but often a hearty friend and a munificent benefactor. But to every writer who rose to a celebrity approaching his own, he became either a disguised or an avowed enemy. He slily depreciated Montesquieu and Buffon. He publicly, and with violent outrage, made war on Rousseau. Nor had he the art of hiding his feelings