Critical, Historical, and Miscellaneous Essays; Vol. 5: With a Memoir and IndexMacaulay, Thomas Babington Macaulay, Baron
History
Critical, Historical, and Miscellaneous Essays; Vol. 5: With a Memoir and Index
Macaulay, Thomas Babington Macaulay, Baron
English literature -- History and criticism; Great Britain -- History
That nothing might be wanting to Frederic’s distress, he lost his mother
just at this time; and he appears to have felt the loss more than was to
be expected from the hardness and severity of his character. In truth,
his misfortunes had now cut to the quick. The mocker, the tyrant, the
most rigorous, the most imperious, the most cynical of men, was very
unhappy. His face was so haggard and his form so thin, that when on his
return from Bohemia he passed through Leipsic, the people hardly knew
him again. His sleep was broken; the tears, in spite of himself, often
started into his eyes; and the grave began to present itself to
his agitated mind as the best refuge from misery and dishonour. His
resolution was fixed never to be taken alive, and never to make peace
on condition of descending from his place among the powers of Europe.
He saw nothing left for him except to die; and he deliberately chose his
mode of death. He always carried about with him a sure and speedy poison
in a small glass case; and to the few in whom he placed confidence, he
made no mystery of his resolution.
But we should very imperfectly describe the state of Frederic’s mind,
if we left out of view the laughable peculiarities which contrasted so
singularly with the gravity, energy, and harshness of his character. It
is difficult to say whether the tragic or the comic {223}predominated in
the strange scene which was then acting. In the midst of all the great
King’s calamities, his passion for writing indifferent poetry grew
stronger and stronger. Enemies all round him, despair in his heart,
pills of corrosive sublimate hidden in his clothes, he poured forth
hundreds upon hundreds of lines, hateful to gods and men, the insipid
dregs of Voltaire’s Hippocrene, the faint echo of the lyre of Chaulieu.
It is amusing to compare what he did during the last months of 1757,
with what he wrote during the same time. It may be doubted whether any
equal portion of the life of Hannibal, of Cæsar, or of Napoleon, will
bear a comparison with that short period, the most brilliant in the
history of Prussia and of Frederic. Yet at this very time the scanty
leisure of the illustrious warrior was employed in producing odes
and epistles, a little better than Cibber’s, and a little worse than
Hay-ley’s. Here and there a manly sentiment which deserves to be in
prose makes its appearance in company with Prometheus and Orpheus,
Elysium and Acheron, the plaintive Philomel, the poppies of Morpheus,
and all the other frippery which, like a robe tossed by a proud beauty
to her waiting-woman, has long been contemptuously abandoned by genius
to mediocrity. We hardly know any instance of the strength and weakness
of human nature so striking, and so grotesque, as the character of this
haughty, vigilant, resolute, sagacious blue-stocking, half Mithridates
and half Trissotin, bearing up against a world in arms, with an ounce of
poison in one pocket and a quire of bad verses in the other.
Public-domain text, read in full here on John Shaqi.
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