Critical, Historical, and Miscellaneous Essays; Vol. 5: With a Memoir and IndexMacaulay, Thomas Babington Macaulay, Baron
History
Critical, Historical, and Miscellaneous Essays; Vol. 5: With a Memoir and Index
Macaulay, Thomas Babington Macaulay, Baron
English literature -- History and criticism; Great Britain -- History
The only use which Addison appears to have made of the favour with which
he was regarded by the Tories was to save some of his friends from the
general ruin of the Whig party. He felt himself to be in a situation
which made it his duty to take a decided part in polities. But the case
of Steele and of Ambrose Phillipps was different. For Phillipps, Addison
even condescended to solicit, with what success we have not ascertained.
Steele held two places. He was Gazetteer, and he was also a Commissioner
of Stamps. The Gazette was taken from him. But he was suffered to retain
his place in the Stamp Office, on an implied understanding that he
should not be active against the new government; and he was, during
more than two years, induced by Addison to observe this armistice with
tolerable fidelity.
Isaac Bickerstaff accordingly became silent upon politics, and the
article of news which had once formed about one third of his paper,
altogether disappeared. The Tatler had completely changed its character.
It was now nothing but a series of essays on books, morals, and manners.
Steele therefore resolved to {385}bring it to a close, and to commence a
new work on an improved plan. It was announced that this new work would
be published daily. The undertaking was generally regarded as bold, or
rather rash; but the event amply justified the confidence with which
Steele relied on the fertility of Addison’s genius. On the second
of January 1711, appeared the last Tatler. At the beginning of March
following appeared the first of an incomparable series of papers,
containing observations on life and literature by an imaginary
Spectator.
The Spectator himself was conceived and drawn by Addison; and it is
not easy to doubt that the portrait was meant to be in some features a
likeness of the painter. The Spectator is a gentleman who, after passing
a studious youth at the university, has travelled on classic ground, and
has bestowed much attention on curious points of antiquity. He has,
on his return, fixed his residence in London, and has observed all
the forms of life which are to be found in that great city, has daily
listened to the wits of Will’s, has smoked with the philosophers of
the Grecian, and has mingled with the parsons at Child’s, and with the
politicians at the St. James’s. In the morning, he often listens to the
hum of the Exchange; in the evening, his face is constantly to be seen
in the pit of Drury Lane theatre. But an insurmountable bashfulness
prevents him from opening his mouth, except in a small circle of
intimate friends.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account