Critical, Historical, and Miscellaneous Essays; Vol. 5: With a Memoir and IndexMacaulay, Thomas Babington Macaulay, Baron
History
Critical, Historical, and Miscellaneous Essays; Vol. 5: With a Memoir and Index
Macaulay, Thomas Babington Macaulay, Baron
English literature -- History and criticism; Great Britain -- History
Difference of political opinion had produced, not indeed a quarrel, but
a coolness between Swift and Addison. They at length ceased altogether
to see each other. Yet there was between them a tacit compact like that
between the hereditary guests in the Iliad.
[Illustration: 0414]
It is not strange that Addison, who calumniated and insulted nobody,
should not have calumniated or insulted Swift. But it is remarkable that
Swift, to whom neither genius nor virtue was sacred, and who generally
seemed to find, like most other renegades, a peculiar pleasure in
attacking old friends, should have shown so much respect and tenderness
to Addison.
Fortune had now changed. The accession of the House of Hanover had
secured in England the liberties of the people, and in Ireland the
dominion of the Protestant caste. To that caste Swift was more odious
than any other man. He was hooted and even pelted in the streets of
Dublin; and could not venture to ride along the strand for his health
without the attendance of armed servants. Many whom he had formerly
{401}served now libelled and insulted him. At this time Addison arrived.
He had been advised not to show the smallest civility to the Dean of
St. Patrick’s. He had answered, with admirable spirit, that it might be
necessary for men whose fidelity to their party was suspected, to hold
no intercourse with political opponents; but that one who had been a
steady Whig in the worst times might venture, when the good cause
was triumphant, to shake hands with an old friend who was one of the
vanquished Tories. His kindness was soothing to the proud and cruelly
wounded spirit of Swift; and the two great satirists resumed their
habits of friendly intercourse.
Those associates of Addison whose political opinions agreed with
his shared his good fortune. He took Tickell with him to Ireland. He
procured for Budgell a lucrative place in the same kingdom. Ambrose
Phillipps was provided for in England. Steele had injured himself so
much by his eccentricity and perverseness, that he obtained but a very
small part of what he thought his due. He was, however, knighted; he had
a place in the household; and he subsequently received other marks of
favour from the court.
Addison did not remain long in Ireland. In 1715 he quitted his
secretaryship for a seat at the Board of Trade. In the same year his
comedy of the Drummer was brought on the stage. The name of the author
was not announced; the piece was coldly received; and some critics have
expressed a doubt whether it were really Addison’s. To us the evidence,
both external and internal, seems decisive. It is not in Addison’s best
manner; but it contains numerous pas-rages which no other writer known
to us could have {402}produced. It was again performed after Addison’s
death, and, being known to be his, was loudly applauded.
Public-domain text, read in full here on John Shaqi.
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