Critical, Historical, and Miscellaneous Essays; Vol. 6: With a Memoir and IndexMacaulay, Thomas Babington Macaulay, Baron
History
Critical, Historical, and Miscellaneous Essays; Vol. 6: With a Memoir and Index
Macaulay, Thomas Babington Macaulay, Baron
English literature -- History and criticism; Great Britain -- History
In the succeeding six years he sent to the press some things which have
survived and many which have perished. He produced articles for reviews,
magazines, and newspapers: children’s books which, bound in gilt paper
and adorned with hideous woodcuts, appeared in the window of the once
far-famed shop at the corner of St. Paul’s Churchyard; “An Inquiry into
the State of Polite Learning in Europe,” which, though of little or no
value, is still reprinted among his works; a “Life of Beau Nash,” which
is not reprinted, though it well deserves to be so; (2) a superficial
and incorrect, but very readable, “History of England,” in a series of
letters purporting to be addressed by a nobleman to his son; and some
very lively and amusing “Sketches of London Society,” in a series
of letters purporting to be addressed by a Chinese traveller to his
friends. All these works were anonymous; but some of them were
(1) A gentleman, who states that he has known the
neighbourhood for thirty years, corrects this account, and
informs the present publisher that the Breakneck Steps,
thirty-two in number, divided into two flights, are still in
existence, and that, according to tradition, Goldsmith’s
house was not on the steps, but was the first house at the
head of the court, on the left hand, going from the Old
Bailey. See _Notes and Queries_ (2nd S. ix. 280).
(2) Mr. Black has pointed out that this is inaccurate: the
life of Nash has been twice reprinted; once in Mr. Prior’s
edition (vol. iii. p. 249), and once in Mr. Cunningham’s
edition (vol. iv. p. 351.
well {158}known to be Goldsmith’s: and he gradually rose in the
estimation of the booksellers for whom he drudged. He was, indeed,
emphatically a popular writer. For accurate research or grave
disquisition he was not well qualified by nature or by education, he
knew nothing accurately: his reading had been desultory; nor had he
meditated deeply on what he had read. He had seen much of the world; but
he had noticed and retained little more of what he had seen than some
grotesque incidents and characters which had happened to strike his
fancy. But, though his mind was very scantily stored with materials,
he used what materials he had in such a way as to produce a wonderful
effect. There have been many greater writers; but perhaps no writer was
ever more uniformly agreeable. His style was always pure and easy, and,
on proper occasions, pointed and energetic. His narratives were always
amusing, his descriptions always picturesque, his humour rich and
joyous, yet not without an occasional tinge of amiable sadness. About
everything that he wrote, serious or sportive, there was a certain
natural grace and decorum, hardly to be expected from a man a great part
of whose life had been passed among thieves and beggars, street-walkers
and merry andrews, in those squalid dens which are the reproach of great
capitals.
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