Goldsmith might now be considered as a prosperous man. He had the means of living in comfort, and even in what to one who had so often slept in barns and on bulks must have been luxury. His fame was great and was constantly rising. He lived in what was intellectually far the best society of the kingdom, in a society in which no talent or accomplishment was wanting, and in which the art of conversation was cultivated with splendid success. There probably were never four talkers more admirable in four different ways than Johnson, Burke, Beauclerk, and Garrick; and Goldsmith was on terms of intimacy with all the four. He aspired to share in their colloquial renown; but never was ambition more unfortunate. It may seem strange that a man who wrote with so much perspicuity, vivacity, and grace, should have been, whenever he took a part in conversation, an empty, noisy, blundering rattle. But on this point the evidence is overwhelming. {166}So extraordinary was the contrast between Goldsmith’s published works and the silly things which he said, that Horace Walpole described him as an inspired idiot. “Noll,” said Garrick, “wrote like an angel, and talked like poor Pol.” Charnier declared that it was a hard exercise of faith to believe that so foolish a chatterer could have really written the “Traveller.” Even Boswell could say, with contemptuous compassion, that he liked very well to hear honest Goldsmith run on. “Yes, sir,” said Johnson; “but he should not like to hear himself.” Minds differ as rivers differ. There are transparent and sparkling rivers from which it is delightful to drink as they flow; to such rivers the minds of such men as Burke and Johnson may be compared. But there are rivers of which the water when first drawn is turbid and noisome, but becomes pellucid as crystal, and delicious to the taste, if it be suffered to stand till it has deposited a sediment; and such a river is a type of the mind of Goldsmith. His first thoughts on every subject were confused even to absurdity; but they required only a little time to work themselves clear. When he wrote they had that time; and therefore his readers pronounced him a man of genius: but when he talked he talked nonsense, and made himself the laughing-stock of his hearers. He was painfully sensible of his inferiority in conversation; he felt every failure keenly: yet he had not sufficient judgment and self-command to hold his tongue. His animal spirits and vanity were always impelling him to try to do the one thing whieh he could not do. After every attempt he felt that he had exposed himself, and writhed with shame and vexation; yet the next moment he began again.