Critical, Historical, and Miscellaneous Essays; Vol. 6: With a Memoir and IndexMacaulay, Thomas Babington Macaulay, Baron
History
Critical, Historical, and Miscellaneous Essays; Vol. 6: With a Memoir and Index
Macaulay, Thomas Babington Macaulay, Baron
English literature -- History and criticism; Great Britain -- History
presented with a piece of gold by Queen Anne. One of his earliest
recollections was that of a stately lady in a diamond stomacher and a
long black hood. Her hand was applied in vain. The boy’s features, which
were originally noble and not irregular, were distorted by his malady.
His cheeks were deeply scarred. He lost for a time the sight of one eye;
and he saw but very imperfectly with the other. But the force of
his mind overcame every impediment. Indolent as he was, he acquired
knowledge with such ease and rapidity that at every school to which
he was sent he was soon the best scholar. From sixteen to eighteen he
resided at home, and was left to his own devices. He learned much at
this time, though his studies were without guidance and without plan. He
ransacked his father’s shelves, dipped into a multitude of books, read
what was interesting, and passed over what was dull. An ordinary lad
would have acquired little or no useful knowledge in such a way: but
much that was dull to ordinary lads was interesting to Samuel. He read
little Greek; for his proficiency in that language was not such that he
could take much pleasure in the masters of Attic poetry and eloquence.
But he had left school a good Latinist; and he soon acquired, in the
large and miscellaneous library of which he now had the command, an
extensive knowledge of Latin literature. {174}That Augustan delicacy of
taste which is the boast of the great public schools of England he never
possessed. But he was early familiar with some classical writers who
were quite unknown to the best scholars in the sixth form at Eton.
He was peculiarly attracted by the works of the great restorers of
learning. Once, while searching for some apples, he found a large folio
volume of Petrarch’s works. The name excited his curiosity; and
he eagerly devoured hundreds of pages. Indeed, the diction and
versification of his own Latin compositions show that he had paid at
least as much attention to modern copies from the antique as to the
original models.
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