Critical, Historical, and Miscellaneous Essays; Vol. 6: With a Memoir and IndexMacaulay, Thomas Babington Macaulay, Baron
History
Critical, Historical, and Miscellaneous Essays; Vol. 6: With a Memoir and Index
Macaulay, Thomas Babington Macaulay, Baron
English literature -- History and criticism; Great Britain -- History
About {197}the plan of Rasselas little was said by the critics; and yet
the faults of the plan might seem to invite severe criticism. Johnson
has frequently blamed Shakspeare for neglecting the proprieties of
time and place, and for ascribing to one age or nation the manners and
opinions of another. Yet Shakspeare has not sinned in this way more
grievously than Johnson. Rasselas and Imlac, Nekayah and Pekuah, are
evidently meant to be Abyssinians of the eighteenth century: for the
Europe which Imlac describes is the Europe of the eighteenth century;
and the inmates of the Happy Valley talk familiarly of that law of
gravitation which Newton discovered, and which was not fully received
even at Cambridge till the eighteenth century. What a real company of
Abyssinians would have been may be learned from Bruce’s Travels. But
Johnson, not content with turning filthy savages, ignorant of their
letters, and gorged with raw steaks cut from living cows, into
philosophers as eloquent and enlightened as himself or his friend Burke,
and into ladies as highly accomplished as Mrs. Lennox or Mrs. Sheridan,
transferred the whole domestic system of England to Egypt. Into a land
of harems, a land of polygamy, a land where women are married without
ever being seen, he introduced the flirtations and jealousies of our
ball-rooms. In a land where there is boundless liberty of divorce,
wedlock is described as the indissoluble compact. “A youth and maiden
meeting by chance, or brought together by artifice, exchange glances,
reciprocate civilities, go home, and dream of each other. Such,” says
Rasselas, “is the common process of marriage.” Such it may have been,
and may still be, in London, but assuredly not at Cairo. A writer who
was guilty of such improprieties had {198}little right to blame the
poet who made Hector quote Aristotle, and represented Julio Romano as
flourishing in the days of the oracle of Delphi.
Public-domain text, read in full here on John Shaqi.
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