Critical, Historical, and Miscellaneous Essays; Vol. 6: With a Memoir and IndexMacaulay, Thomas Babington Macaulay, Baron
History
Critical, Historical, and Miscellaneous Essays; Vol. 6: With a Memoir and Index
Macaulay, Thomas Babington Macaulay, Baron
English literature -- History and criticism; Great Britain -- History
This publication saved Johnson’s character for honesty, but added
nothing to the fame of his abilities and learning. The preface, though
it contains some good passages, is not in his best manner. The most
valuable notes are those in which he had an opportunity of showing
how attentively he had during many years observed human life and human
nature. The best specimen is the note on the character of Polonius.
Nothing so good is to be found even in Wilhelm Meister’s admirable
examination of Hamlet. But here praise must end. It would be difficult
to name a more {201}slovenly, a more worthless, edition of any great
classic. The reader may turn over play after play without finding
one happy conjectural emendation, or one ingenious and satisfactory
explanation of a passage which had baffled preceding commentators.
Johnson had, in his Prospectus, told the world that he was peculiarly
fitted for the task which he had undertaken, because he had, as a
lexicographer, been under the necessity of taking a wider view of the
English language than any of his predecessors. That his knowledge of
our literature was extensive is indisputable. But, unfortunately, he had
altogether neglected that very part of our literature with which it is
especially desirable that an editor of Shakspeare should be conversant.
It is dangerous to assert a negative. Yet little will be risked by the
assertion, that in the two folio volumes of the English Dictionary there
is not a single passage quoted from any dramatist of the Elizabethan
age, except Shakspeare and Ben. Even from Ben the quotations are few.
Johnson might easily, in a few months, have made himself well acquainted
with every old play that was extant. But it never seems to have occurred
to him that this was a necessary preparation for the work which he had
undertaken. He would doubtless have admitted that it would be the height
of absurdity in a man who was not familiar with the works of Æschylus
and Euripides to publish an edition of Sophocles. Yet he ventured to
publish an edition of Shakspeare, without having ever in his life,
as far as can be discovered, read a single scene of Massinger, Ford,
Decker, Webster, Marlow, Beaumont, or Fletcher. His detractors were
noisy and scurrilous. Those who most loved and honoured him had little
to say in praise of the manner in which he had {202}discharged the duty
of a commentator. He had, however, acquitted himself of a debt which had
long lain heavy on his conscience; and he sank back into the repose from
which the sting of satire had roused him. He long continued to
live upon the fame which he had already won. He was honoured by the
University of Oxford with a Doctor’s degree, by the Royal Academy with
a professorship, and by the King with an interview, in which his Majesty
most graciously expressed a hope that so excellent a writer would not
cease to write. In the interval, however, between 1765 and 1775 Johnson
Public-domain text, read in full here on John Shaqi.
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