Let those who love pure, simple, unstudied, and unborrowed things send for the little azure book, and read it for themselves; not in noisy railway train, or metropolitan library, or fashion-filled country house; but in the solitude of some quiet rural place, beside some nameless streamlet where the willow-leaves touch the blue brook-lime and the bees hum amidst the flowering thyme. When we take it home, as the day dies, let us place it on a shelf between the hymns of George Herbert and those earliest love-songs which were signed Owen Meredith. There it will find its fit companionship. X THE UGLINESS OF MODERN LIFE Pierre Loti has lately written in an album published at Schweningen for charity the following passages, which will be new to the majority of English readers:-- 'The end of April is the season of change, when the Judas trees all along the shores of the Bosphorus are in flower. Nowhere else in the world does one find so many Judas trees as here, where the two extremities of Asia and of Europe are face to face. There are violet-hued tufts and violet-hued alleys; an excess of violet colour so intense, and so unusual, that one's sight is dazzled and bewildered by it. And the wisteria too, which garlands the old eaves of houses with its millions of clusters, hangs out wreaths of a lighter lilac from all the hamlets of grey timber which lean down over the water. This Bosphorus is a great winding river, but a river which has in it the life and the seduction of the sea. The hills on its two shores are covered by palaces, by mosques, by cottages and by tombs, all surrounded by and buried in gardens. And here in the month of April, under this sky still veiled and softened by the clouds of the North, there is a luxury of foliage and blossom in which this violet tone of the Judas trees is dominant, and shines beside the dark and ghost-like cypress groves. 'There are on earth other places grander, and perhaps more beautiful; certainly there are none of greater power to charm. This scenery of the Bosphorus, from which no stranger ever escapes, is due to the Oriental mystery which still broods on it; it comes from the great closed harems of which the upper storeys hang over the waves; it comes from the veiled women whom we see in the shadow of the gardens, and in the slender caïques which pass. But this Turkish witchery is fading, alas! Year by year, more and more, great gaps are made in the ranks of the ancient impenetrable buildings, with their grated windows, which plunge their walls into the water and which one could enter from the water, as at Venice; and with them go the slender caïques, the costumes, and the women's veils.